licked the spoon, dug for more. âBut, damn, theyâre really good.â
Refreshed, she changed into sweats, brewed a pot of coffee, then settled into her favorite chair with the new book on Celtic lore.
She couldnât count the number of books on the subjectsheâd read in the last month. But then again, to Dana, reading was every bit as pleasurable as Ben and Jerryâs and as essential to life as the next breath of air.
She surrounded herself with books at work and at home. Her living space was a testament to her first and abiding love, with shelves jammed with books, tables crowded with them. She saw them not only as knowledge, entertainment, comfort, even sanity, but as a kind of artful decoration.
To the casual eye, the books that streamed and flowed over shelves in nooks, on tabletops, might look like a haphazard, even disordered, jumble. But the librarian in Dana insisted on a system.
She could, on her whim or on request, put her hand on any title in any room in the apartment.
She couldnât live without books, without the stories, the information, the worlds that lived inside them. Even now, with the task ahead of her and the clock already ticking, she fell into the words on the pages in her hands, and into the lives, the loves, the wars, the petty grievances of the gods.
Absorbed, she jumped at the knock on her door. Blinking, she came back to reality, noted that the sun had set while sheâd been visiting with Dagda, Epona, and Lug.
Book in hand, she went to answer, then lifted her eyebrows at Malory. âWhatâs up?â
âI thought Iâd swing by and see what you were up to before I headed home. Iâve spent the day talking to some local artists and craftspeople. I think Iâve got a good start on pieces for my gallery.â
âCool. Got any food on you? Iâm starved.â
âA tin of Altoids and half a roll of Life Savers.â
âThatâs not going to work,â Dana decided. âIâm going to forage. You hungry?â
âNo, go ahead. Any brilliant ideas? Anything you want Zoe and me to do?â Malory asked as she followed Dana into the kitchen.
âI donât know how brilliant. Spaghetti! Hot damn.â Dana came out of the refrigerator with a bowl of leftover pasta. âYou want?â
âNope.â
âGot some Cabernet to go with it.â
âThat Iâll have. One glass.â At home in Danaâs kitchen, Malory got out wineglasses. âWhatâs the idea, brilliant or not?â
âBooks. You know, the whole knowledge thing. And the past, present, future. If weâre talking about mine, itâs all about the books.â She dug out a fork and began to eat the pasta straight out of the bowl. âThe trick is which book, or what kind of book.â
âDonât you want to heat that up?â
âWhat?â Baffled, Dana looked down at the spaghetti in the bowl. âWhy?â
âNo reason.â Malory handed Dana a glass of wine, then took her own and wandered out to sit at the table. âA book or books makes sense, at least in part. And it gives you a path to take. But . . .â
She scanned Danaâs apartment. âWhat you yourself personally own would take weeks to get through. Then thereâs what everyone else in the Valley owns, the library, the bookstore at the mall, and so on.â
âAnd the fact that even if Iâm right, it doesnât mean the keyâs literally in a book. Could be figuratively. Or it could mean something in a book points the way to the key.â Dana shrugged and shoveled in more cold spaghetti. âI said it fell short of brilliant.â
âItâs a good starting point. Past, present, future.â Malory pursed her lips. âCovers a lot of ground.â
âHistorical, contemporary, futuristic. And thatâs just novels.â
âWhat if itâs more personal?â Malory leaned