together.
All in all, the man or boy is a mysterious fellow, and Connor, who has known him a month, hasnât figured him out, meaning he never knows what heâs thinking, if heâs thinking at all. The most Connor can say is heâs pretty sure he has Aspergerâs, or something like it; on the other hand, he might be simply weird. As for his name, or real name, Connor doesnât know it, though he and the couple inside the Winnebago call him Vaughn, because his voice has the same rippling, velvety baritone as the late singer Vaughn Monroe; and whenever Vaughn speaks, Connor feels a faint thrill, the same as he felt years ago when he first heard Vaughn Monroe sing âRiders in the Sky,â which was one of Connorâs granddadâs favorite songs. But Vaughn, or whatever his name is, has never heard of Vaughn Monroe. Or so he says.
Vaughn has another talent: numbers to him are what colors were to Van Gogh. Heâs a math whiz, which, for our purposes, means heâs a whiz with computers and has developed formidable hacking skills. Perhaps he canât get into Pentagon computers or the computers of those pesky Russkies, but the computers of moderate-size businesses or organizations pose no problem. Heâs a twenty-first-century Peeping Tom. Not long ago he peeped for the sake of peeping, rather than for financial reward. But thatâs changed.
At the moment Vaughn is drawing squares on a yellow sheet of lined paper. These come in three shapes and are as exact as if measured with a ruler. The large squares form three across the top of the sheet and six down. Then three medium squares are in each of the large squares and three small squares are in each of the medium squares. But these are just todayâs squares. In his suitcase he has many other sheets of paper with squares of various sizes and configurations. When asked what theyâre for, Vaughn explains they represent his thoughts.
As Connor approaches, he asks, âWhereâs Didi?â
Vaughn turns and stares in Connorâs direction, but he doesnât exactly look at Connor himself; instead his blue and green eyes stare at something past Connorâs shoulder. Even after a month, Connor finds this unsettling, but he no longer turns to see who is behind him, though he may get a tingle in the back of his neck. Also, if an hour or more has passed since they were last together, Vaughn will act as though heâs never seen Connor before. He does this now, as Connor smooths back the absent mustache that he shaved off when he split from his girlfriend. A moment goes by as Connor and Vaughn remain inert. Then Vaughn nods to the door of the Winnebago.
Again Connor hears
thump-thump-squeak, thump-thump-squeak
. âEartha?â
But Vaughn is focused on the black motorcycle cap perched on the back of Connorâs head. âWhatâs that?â
Connor takes it off and turns it over in his hands. The red satin lining flickers in the sunlight. âA cap I picked up in New London.â
âCan I have it?â
âWhy should I give it to you?â
âItâs my birthday.â
âIs that so? How old are you?â
Vaughn continues to stare slightly over Connorâs shoulder, and the stare seems as fixated as that of a snake hypnotizing a bird.
Connor canât think of a reason not to give Vaughn the cap, so he tosses it to him. âHappy birthday.â
The noises from insideâ
thump-thump-squeak
âcontinue.
Vaughn holds the cap up to the sun. âWhoâs . . . Mar-Co-San-Tuz-Za?â
âThe previous owner. He doesnât need it anymore.â In fact, thinks Connor, he has no head to put it on.
âIt has blood spots.â
Connor hadnât seen them earlier, but now, bending over, he sees a few dark spots on the brim. Vaughn licks a finger, rubs at a spot, and holds up the finger, which has a red blush on the tip.
âYou want to give it back?â