the water, a white, older model Winnebago Journey has been drawn into a campground parking slot reserved for self-contained RVs. The campground, of course, is closed for the season, but Connor was told that an assortment of deals had been made, the truth of various falsehoods had been asserted, and bogus regulations had been upheld, all of which had permitted them to park illegally. When he questioned this, he was informed that the coast of Rhode Island was full of fellow Portuguese and that close associates had settled matters. In any case, the details hardly signified, because now, with a salt pond behind it and the ocean in front, the thirty-nine-foot Winnebago with two open slides is the sole vehicle in residence, which is how Connorâs friends like it.
Itâs four-thirty, and Connor hasnât eaten. Getting boxed in on Bank Street upset many plans. Still, heâs rented a post office box in New London, picked up a rush order from a printerâs, made various purchases, and acquired several telephone books.
It would be wrong to say that Connorâs mind remains a blur from the accident that morning, but he suffers from a sort of double vision as the bloody display of the biker, disassembled and confettied against the side of the truck, is repeatedly projected upon the scene around him: blue sky, sand, and tall pines, a breeze rippling the surface of the salt pond, the ocean extending to the horizon. So Connor exists in a state of wince, with his hands clutching the steering wheel.
He parks behind the Winnebago next to a gray Ford Focus rental. The Winnebago is at the end of the breachway, while to the left are about twenty empty RV slots. Farther on stand a row of summer cottages on stilts. Connor pauses to admire a snowy egret pretending to be a bush at the edge of the pond; then he gathers his Bruno Magli slip-ons from the front seat and takes his parcels from the back. The phone books heâll get later. With arms full, he makes his way around the side of the Winnebago to the front door, which is open. Itâs low tide, and the sea does little more than slosh. Gulls seek snacks along the waterline. From somewhere comes a rhythmic
thump-thump-squeak
, over and over.
Sitting in a lawn chair by the door is a man or a boy in a bulky black sweatshirt with his back to Connor. Heâs small, and his straw-colored hair is mostly cowlick. Leaning forward, he focuses on a yellow pad of paper balanced on his lap.
The question of whether he is man or boy is a question asked by many. His cheeks are pink and show no sign of facial hair. If we touched them, weâd be struck by the smoothness of his skin, and if he stood up, weâd see heâs five feet tall. But he doesnât seem short as much as unfinished, as if he were waiting for two or three more growth spurts to top him off. Nor does he seem short when he walks, because his step is purposeful and his back straight. He will look businesslike even in a casual dawdle along the beach. As we might suspect, he copies this from Connor, whom he admires, just as Connor has copied it from his brother Vasco, but the boy or young man exaggerates the walk to the point that, in motion, he appears robotic.
Observing him, we might think him anywhere between thirteen and thirty. His head is long and shaped like a loaf of bread, with a high forehead, a stub of a nose, and a round chin. Along with the sweatshirt, he wears jeans and pointed black boots. Oh, yes, his nails are clean and nicely trimmed. This wouldnât need to be said, but itâs the result of obsessive behavior, so Connor thinks. The fellow spends hours keeping them perfect, filing and painting them with clear nail polish. Another thing: his left eye is blue and the other green, and at times he seems to glance at you with the blue one and at times with the other; and the blue eye shows his feelings as one way and the green shows theyâre another, but they never show the same