find rest or take up home in the heart of another womanâÂnot permanently. Itâs just not a safe place to land. I knew the heart of a woman could be a landing ground for a man, but for a woman to try to land in another womanâs heart? That would be like landing on something wobbly, without form, like trying to stand tall in Jell-ÂO. Why would I want to stand tall in Jell-ÂO?
Yet there Âwere things in Margauxâs email I could not resist. I admired her courage, her heart, and her brain. I envied the freedom I suspected in her, and wanted to know it better, and become that same way too.
Back at home, I emailed her to say that I regretted miss ing her party, explaining that Iâd thought I would finish my play that night. I said I would drop by her studio with champagne soon to make it up.
Then I went to bed. My husband was out drinking somewhere.
My first day of typing school, I sat there resolute. The instructor stood before us like a piece on a chessboard. She was stiff and without divinity. I knew I would learn nothing from such a wooden shoe.
I sat up straight and smiled at everyone in their seats. I wanted all those liars on my side. I wanted them to stand up and cheer my name later in the semesterâto be a hero to all those liars! It didnât even matter that they Âwere liars. IÂ was willing to be a hero even to liars. Even to thieves! I hoped my smiling would convince them all of my good-Ânaturedness. At the very root of me, I hoped they would see, was a friendly idiot who didnât know her own interests. With this in their minds, theyâd relate to me as a peer, I hoped, and would one day let me lead them.
I prayed I Âwouldnât create any enemies, as I had done in football school. There, all of my plans backfired. The jocks seemed to have more integrity of spirit than I did. They Âwerenât going to let some withered wanderer with half a plan lead them. By the end of the first afternoon, they Âwere laughing at me. The next morning, I went in wearing a different sweater, but they still knew it was me and stuffed me in a locker. I saw I Âwasnât going to outwit them. Those people didnât deal in wit. Even if I did outwit them, that Âwouldnât shake them. Their assurance was rooted in something deeper, more solid, from which it flowed.
I should have stuck around to discover the nature of that soil for myselfâÂbut I belong with the liars and weaklings. I cannot lead my betters. If I want to be a hero, it will not be to the jocks, whose interiors have an integrity that springs up from the very center of the earth itself. It will be to the utter liars I find myself sitting with Âhere, in the white-Âwalled room that is the typing schoolâs second-Âfloor studio.
Photocopied and handed out to us at the beginning of class was a second-rate artistâs rendering of the placement of the keys as you would find them on a real typewriter.
âHold on to it,â we were told. âThis will be your typewriter for the next two weeks.â
One morning, Sheila finds an email from Margaux . . .
1.iâm free:
2.this afternoon, night
3.tomorrow afternoon, night
4.the next afternoon, night and day
5.just hiding inside painting
6.wearing a matching tracksuit and listening to the bbc.
They continue to write back and forth. Margaux emails Sheila . . .
1.there was a robbery and theyâre blaming it on me.
2.i Âcanât leave the neighborhood! i Âhavenât felt this at home in deÂcades!
3.legally i donât think they can make me leave but they live above me and work below me and my tolerance is gone.
4.i was pretty upset, but now iâm glad. i have decided to find a much better studio with an absentee landlord.
5.iâm scouring the neighborhood with my cell phone.
1.selenaâs gallery is having a private viewing of an artist whose one previous show i saw. itâs a fancy exclusive