another.
Two hours.
I let my head fall forward onto my desk. Weâll never make it to the store tonight. Even if we eat right at seven oâclock, when Dad gets home, heâll still want to check in with Madge and get changed and watch the news. The sign in the window of Mortonâs Art Supply will flip to CLOSED and Iâll still be stuck here, crawling out of my skin.
I groan and pull out my sketchbook in an effort to distract myself. Of course, it just happens to fall open to the drawing I started at Jessieâs house the other day, ratcheting my frustration level up even further. Itâs driving me crazy that I canât get this sketch right. Portraits are usually my specialty. Thereâs this point when Iâm drawing a face where everything comes together and the essence of the person shines through. Itâs like magic, the way it happens. One minute itâs a simple drawing, and then, with just the right line here or bit of shading there, it suddenly springs to life. I canât seem to get there with Jessie, though. No matter what I do, the sketch stays lifeless.
I throw my pencil down. I have
got
to get out of here.
There is one option. The absolute last-resort, can-barely-even-stand-to-think-about-it option. Madge. If I swallow my pride and suck up just a little bit, she might cave and give me some cash so I can take the bus across town and start shopping.
I close my eyes and let myself imagine the feeling of wandering the aisles at Mortonâs with no one to rush me or complain when I spend twenty minutes marveling over the rainbow of colors in the acrylics section or admiring the shelves of blank canvases just waiting to be transformed.
Before I can think twice about it, Iâm suddenly in the kitchen, clutching my list like a talisman.
âSmells great, Madeleine,â I say, cringing at my own false sincerity. âNeed any help?â
Madgeâs eyes narrow in suspicion, and a smile tugs at the corners of her mouth. âYou can set the table,â she says. âAnd then fill me in on whatever it is you want.â
I grip the page tighter. âI have an art project coming up,â I tell her, âand I really want to buy some new supplies.â
My heart starts thumping as her lips press into a straight line.
âYou donât have to drive me or anything,â I blurt. âIâm totally cool with the bus. I just need some money, and I donât want to wait till Dad gets home.â The words are flying out of my mouth and I want to snatch them up and stuff them back in there. I
never
beg Madge for anything.
The balloon of excitement thatâs been keeping me afloat all day hardens into a heavy weight as she gets that
look
on her face. The one that says Iâm an inconvenience.
âHave you been through the boxes downstairs yet?â she asks with a sigh. âWe paid the movers a fortune to haul everything here, and I remember at least four or five boxes from your room labeled Art Supplies. Thereâs also Sophieâs old art kit, and Iâm sure my watercolors are down there too. It would be such a waste not to use what we already have.â
Yeah, right.
First off, Iâm pretty sure Sophieâs old âart kitâ has Crayola written on it. And second, Madge hasnât picked up a paintbrush in all the time Iâve known her, so whatever
watercolors
sheâs talking about are ancient.
Her mouth keeps moving but I tune her out. I know this lecture already. Madge loves words like
wasteful
and
responsibility
and
sacrifice.
Iâve heard every combination of them imaginable.
Donât let her get to you,
I remind myself, stuffing my list into my back pocket. Madge doesnât matter. My dad will understand. Iâll just wait and ask him.
By seven oâclock I have a solid plan. Iâll wait until dessert. Dadâs always in a better mood after he eats. Iâll tell him all about art class and show