âCome on. Put it away.â
She placed her hands under his and closed his fingers around gun. She raised herself to her knees and moved closer to him, lifting his hand slowly, the butt of the gun toward the ceiling. He was having trouble thinking. âPlease,â she said. Hedidnât resist her. Even opened his lips a little. He could taste metal. Tasted like lake water. He pulled his head back, away from the barrel like it was something toxic. âShh,â she said. âYouâre okay.â It was the tone she used when he got frustrated with bills, or couldnât fix the heater. It was a sweet tone. Like a mother.
He tried to think. He should stop this. He should want to stop this. He tried putting it all together, lining up all the elements. She wouldnât hurt him, he was sure of that. She also wouldnât put a gun in his mouth. But she was putting a gun in his mouth. His hands on the gun. He was not stopping her. Logic wasnât working.
She took her hands away and he started to remove the gun.
âNo, no,â she said. âLeave it there.â
She leaned in and ran her nails along his scalp. The barrel rattled against his teeth. She was close, her breath on his scalp, her dark hair over his eyes, her breasts touching his chest, her smell all over him.
âSee?â she whispered. âThis is good. You feel close to it all.â
Tastes like lake water. Thatâs what he kept thinking. Lake water.
She kissed his neck. âNow,â she said into his ear. âI want you to pull the trigger.â
His eyes were stinging and his mouth salivating. His throat cramped. He couldnât swallow his spit.
She moved one leg over him, and with a knee on either side, let her weight rest on him. Her face was in front of him. Floating. Blurry. Candlelight slowed to a smear. He couldnât read the numbers on the digital clock behind her. Couldnât remember her middle name. He didnât know her. Hardly knew her.
She put her hands on his cheeks, hands so hot. Her expression was serious now, like a teacher turning stern. âDo this now, or I leave and you will never see me again.â
He shook his head and moaned. A line of dribble fell from his lip. She leaned in, âShhh,â and kissed his forehead, leaving her lips on him for a long moment. She leaned back. âThis is happening,â she said.
Throw the gun. Throw it against the wall, he thought. He could feel the barrel in his mouth, feel his tongue near the hole, feel her heat, her breath, feel his hands on the handle, her legs around his. Could feel each space of flesh, each moving blood cell. It was Christmas in his home, with his wife. It was Christmas and there was lake water and her moving against him. It was Christmas.
THE MARTYRS OF MOUNTAIN PEAK
Kent is dead. All the kids at the camp are crying and singing and praying. They donât know that it was my turn, not his.
Rich is standing in front of us leading the songs. The ten kids who had Kent as a counselor are huddled in the front row. Already seven of them have announced that theyâve given their lives to Christâalthough one is actually regiving his life, since he already gave his life to Christ as a sophomore, but since then heâs been smoking pot. None of the kids I counsel have given their lives to Christ, but they look pretty sad.
Weâre singing âDesperado,â but with the words changed. The lyrics are flashed on a screen.
Desperado, why donât you come to love Jesus ,
You know that he sees us
For so long nowâ¦
It was Kentâs favorite song. Pricilla Brone is helping Rich by leading the girl echo parts. Sheâs got tears on her face and her hair is all shiny. Sheâs so pretty it hurts to look at her, especially when she sings. When the song ends, Rich asks us to bow our heads and pray. All two hundred and six teenagers close their eyes and bow their heads, even the kids who hang