motion, maintaining the distance between herself, the ghostly figure and the machine.
She could see the figure in profile then, and her heart skipped a beat. The features were some cruel combination of human and skeletal, locked in a howling scream of pain and anguish , which seemed to reflect a level of suffering beyond anything in Hemlock’s experience — and she had witnessed her share of suffering.
She imagined it would roughly equate to those moments of utter destruction of the mortal form, which normally extinguished the flame of consciousness before the true magnitude of the torment could be experienced. This man–ghost–skeleton appeared to be enduring in this state, however, as a gibbering shell put to some foul purpose in this Tower, no doubt, Hemlock felt, as a result of some Wizard spell of an ultimately corrupt nature.
Averting her gaze from the tragic figure, Hemlock briefly toyed with the idea of trying to free it somehow. But her senses quickly told her she was in no way qualified to meddle in such a powerful dweomer, and she strongly felt her goal was at the top of the Tower, not here.
She could sense the form of the magic being employed in this room. Woven into the magic were strong emotions of ambition, aggression, and perhaps even megalomania, locked into a complex weave with the considerable mechanics of the machine itself. It was like a tapestry of indecipherable pattern, folded back on itself in four or more dimensions. Her mind simply could not make any sense of the complex lattice of these spells. Simple wards and traps she could often handle, but this was different. Understanding this magic would have been like a journeyman painter trying to touch up a masterwork painting: the probable result would be destructive. She felt it would likely result in her destruction and possibly that of a good portion of the City as well. Such was the power of the magic that she felt here.
She ruefully moved toward the staircase, experiencing a reluctance to leave this machine in operation, but not knowing how else to proceed. As she approached it, she saw at periodic points along the spiral stair, its railing was adorned with odd hands , which were cast in the form of a clenched fist. Some were large, some were small. The staircase ascended to an opening in the ceiling and led to another floor above, which was cast in shadow. She anticipated there was another level of this maintenance area for this strange machine, accessible via this stairway.
Sound! she warned herself, as the door opened.
She heard new metallic sounds, clearly but faintly, amidst the thunderous metallic churning of the strokes of the piston; there were clattering footsteps heard on the flagstone floor near the door.
She tumbled into a somersault and landed behind a small workbench near the spiral stair. After a few moments, she peeked out beside the bench.
A small clockwork gnome, who was dressed in a bright red, conical, velvet hat, clattered and sputtered over to the bench and placed a silver tray on it, upon which rested a large glass jar containing a spidery form suspended in a milky fluid. The Gnome’s body was composed of brass and iron parts: bolts, gears, pistons, and welds.
The gnome soon made its way toward the staircase. It did not seem aware of her presence; as it reached the stair, she heard the metalwork of the steps groan slightly under the weight of the automaton when it began to ascend.
Suddenly there was a metal scraping sound and the climbing stopped. Hemlock risked a glance toward the stair and she saw the lowest of the metallic hands had opened, and was now gesturing as if motioning the Gnome to stop. A small mouth formed in the palm of the hand, and Hemlock had to contain a gasp.
"What is the form of the concept when unseen?" cried that small mouth, with the strangest voice she had ever heard. It sounded like what she imagined a talking mouse or rat would sound like, yet it was melodious just the