climb out of it all someday. Overhead, the open sky, the world I had always dreamed of, which day by day seemed to move further off but to shine all the brighter. And here in the middle, todayâs grind, the newspaper I worked at, changing my name from Giacomo to Diego (soundsbetter for a tanguero), my bachelor flat, the tango I danced every night in the best cafés. My friends were all musicians, instrumentalists, singers, composers, songwritersâor dancers, like me.
But it wasnât enough. And though I had always known that it wasnât enough, in one instant the girl had made me understand that the sky was still clearâfar away, but clear, for anyone who had the will to fly.
For that alone, she deserved a present, so I walked back in and proposed, âWe could play at her wedding.â
âWhat wedding?â asked Flaco MartÃnez, who never noticed what was going on but was a tolerably good piano player.
âThe girlâs. Nataliaâs.â
âThey already signed up Firpoâs orchestra,â said the Gallego from behind the bar.
âOf course they did,â Canaro smiled. âThey want the clod-hoppers who canât follow our beat to be able to dance. But they must have some cash if they could hire Firpo.â
Firpo and Canaro were night and day, especially in the rhythms they used, and a rivalry was slowly but surely growing between them. We professionals danced âà la Canaroâ; everyone else, âà la Firpoâ.
âWhat if you went and serenaded the doll on Saturday night?â the Gallego suggested. âThatâs what girls in Spain love best of all.â
I glanced around at everyone there.
âWhoâs game?â
âCount on my violin,â said Canaro. âRight about midnight, during our break at the Royal.â
âYou coming, Yuyo? No squeezebox, no tango,â I said, knowing that Yuyo would play awake or asleep, paid or unpaid.
âYou bet!â
âFlaco?â
âNot with the piano . . .â
âBut you can also play flute.â
âBring your guitar and Iâll give the flute a whirl,â he answered.
âHow about second fiddle?â asked De Bassi.
By now we were all smiling, as if all of a sudden playing music, the way we earned our bread, was some kind of mischievous prank.
âDo you know where the kid lives, Gallego?â
âOn Necochea, in a one-story house, painted blue.â
âOK then, gents. Tomorrow, midnight, at the Royal. Weâll leave together from there. Iâll be dancing at La MarinaâIâll catch up with you during the break.â
I draped my coat over my shoulder and walked out, though I didnât need to be at the newspaper office until later that afternoon. Letting my feet wander, I found myself standing on Necochea street in front of a blue house where I hadnât lost anything. Except, perhaps, a bit of my heart.
I arrived at our house dizzy from the heat, and from something else that I had no word for, that I wished to have no word for. The cool air in the entrance hall felt like my motherâs hand on a feverish night, and I couldnât help my eyes filling with tears at the thought of her, of how she had left me so alone, so young, right when a girl needs someone to talk to. I didnât even have the comfort of going to see MarÃa Esther and telling her what had happened to me at the grocerâs, just as she couldnât tell me what had happened to her after her wedding when everyone left her alone with the fellow who had just become her husband.
My loneliness weighed on me like a marble tombstone, so I headed toward the sitting room, where I thought I could hear a rumbling of voices, in search of company that would pull my thoughts in a different direction.
The door was ajar, and from the hallway I could see the tip of a manâs bootâEl Rojoâs boot.
I stood stock-still, holding my breath without
Arnold Nelson, Jouko Kokkonen