girl,â and thereâs a shuffle. Their back and forth turns the shadow show on Mommaâs face into movement, the three shadow lines down her face, a dance. The shortest line in the middle is Hazel. The two shadow lines come together on her face making Mommaâs skin gray. She donât blink, though. She come alive.
At once, she burst through the door. âChoose me!â she yell to Massa. âWhat chu want me to do? I do it.â
âItâs too late, Letti,â Massa say.
âIâll give you a boy this time! Iâll be good. I could do it this time. God gonâ bless me wit a boy. Please!â She throws herself down and wraps her arms around Massaâs leg, hugging him like she loves him. He kicks her off.
âMomma!â I yell, stumbling in the room.
âNo!â Hazel say.
âHot damn!â Massa say, scared or surprised. I donât know which. He tilts his head from side to side trying to place me. Then finally, âI knew it! You look just like that bastard. I shouldâve killed him when I had my chance, thieving from me.â
Massa comes close to me, leans into me. His swollen nose is laced with thin red veins, like he walked into a bloodied cobweb.
âIâm ready,â Hazel say. âMassa . . . Iâm ready.â
He touches my cheek with his damp yellow fingers. âWhere have they had you hidin, darlin?â
âLeave âer lone!â Hazel say.
âDonât worry,â Massa say, grinning. âI wonât bite.â
I hold still, hear the buzz of that strange silence again. Broken now by footsteps trotting up our porch outside. A knock at our door follows. This time, quick and eager. I know that knock.
Nobody moves.
âGet it,â Massa tell Hazel.
She donât go.
âGirl!â he say.
When she get to the door, she opens it slow. James is there with a handful of freshly picked wild flowers. His smile is like the sun on âem, but when he sees her, his face dims. âYou all right, Hazel?â
From where I stood behind her, I could see a tear fall from her chin to her chest. She shakes her head slowly trying to make it so Massa cainât see. James takes a step back down the porch.
âDonât leave the boy waitin,â Massa say, pushing the door open all the way. He puts his arm around Hazel. âTake the flowers, girl.â
Hazelâs slow to. But she do.
âWhereâs my manners? Come on in, boy.â
James obey. Heâs with us now.
His headâs hung low as he walks through our door, searching the room with his eyes. He stops across from us, alone and small-looking.
âSo what brings you my way on a beautiful evening like tonight?â Massa say. âOh . . . the flowers. Thatâs real nice.â
James bows his head meekly and folds his hands in front of him so he ainât a threat. His Sunday shirt hangs past his knuckles. James say, âWe was gonâ ask permission, suh.â
âYou was gonâ ask permission?â
âYesâsa. Got permission from Massa Lewis and . . .â
âI look like Massa Lewis?â
âNaw, suh,â James say. âIf you just have a word wit Massa Lewis, suh.â
Massa relights his cigar, puffs it slow, patting the top and bottom of it with both lips. He say, âSeems to me I got a fox in my henhouse, Boss. A fox messin âround with whatâs mine. What I clothe, feed, and provide shelter. Screwin âem before me. What you think about that, Boss?â
Boss shakes his head. âVery disrespectful, suh.â
âHow you punish somethin like that?â
Boss lifts his shoulders. âDonât know.â
Massa pulls his cigar out of his lips slow but makes a quick jerk of his hand. Before I know where it went, the wall explodes a hole of blossoming splinters. Shards of wood fly in my face and prick the front of my neck and chest. The sound crashes in my ears. I
R. C. Farrington, Jason Farrington