the middle of her dress. âMomma!â I yell. She hunches over and falls as Massa sits perched on his knees across the room holding that pistol. The weight of it flops his hand sideways and he fall with it.
âMomma!â I say, scooting across the floor to wake her, to make her well, but she ainât moving. Only the wind of her last breath do.
Behind us, Massa takes his last, too.
The wet of her dress makes my hand red. âHazel! Mommaâs dead!â
But Hazel wonât look away from James. Sheâs holding his hand. I can hear her talking to him. Praying. I try to wait . . . wait long enough and say, âHazel, what we gonâ do?â
Hazel donât get up. She stay praying. Seem like a hour before she say, âAmen.â Finally, she stands, strong as always except when she sees Momma, her knees buckle.
Calmly, she say, âI want you to go, Naomi. Far as you can. Go where cainât nobody find you.â
âWhere Iâm gonâ go, Hazel? I cainât leave you and Momma.â
She nods and goes over to the fire pit, pulls her smoldering Bible out the fire. She presses it on her dress to stop it smoking. And I cainât stop shaking. âMommaâs dead, Hazel!â
She comes to me, hugs me, but her comfort ainât enough to stop this pain or the tears that pain makes to carry itself out of me.
Hazel twists two bundles of my hair into one loose braid. It unravels.
âNaomi, listen. Listen! You gotta go outta here. You gotta go north, you hear me? Ainât nothin here for you.â She presses her Bible against my chest. I hold it tight.
âI donât know where North is!â
âFollow the star like I showed you. Go only in the night.â Boss starts moaning from the floor.
I cainât do this no more.
Hazel go over to him, stomps that poker further into Bossâs back and he shuts up. She heaves it out and tears her clothes with it; slices into her own flesh, along her ribs âtil she bleed. She brings it to me and puts it in my hand, bloody. âYou gonâ need to protect yâself.â
âHazel?â I say.
âYou gonâ need food.â She gets the stale rolls from next to the oven and shoves âem down my blouse. âYou water yourself in the stream.â
âBut Hazel . . .â
âPeople gonâ come lookin, Naomi. Come lookin for all us. Ainât nobody certain you was ever here.â She peels off Massaâs dark-brown jacket, rolling his fat, doughy body from side to side when she do.
âHazel, please!â
She puts his jacket around my shoulders. âWe was all attacked,â she say. âI got to be here to tell âem.â
âBut I cainât make it without you.â
She pulls open the front door. âGo, Naomi.â
I creep to it, wiping my tears. âHazel? Please.â
âGo!â she yell.
She grabs the back of my head, kiss my cheek before she push me out the door. I hurry out, looking up to the starless, clouded sky, running through the dark, holding Massaâs jacket high above my head.
âDonât look back, Naomi. You hear me! Donât you look back!â
I cainât breathe.
Maybe Hazel put a mark on the wall for me, too.
4 / FLASH
S OME SAY YOUR life flashes before your eyes when youâre about to die.
It donât always.
Not for me.
I didnât have not one flash before I went.
Not everybody gets to see their first birthday again. Their fatherâs face laughing. The day their sister got married. The friends theyâve loved.
Maybe you wonât neither.
Not before you die.
Itâs only now that I see the flashes. They come and go, and choose what day of my life to show me and I ainât got a say in it. It happens to all of us dead. Itâs more than just seeing the moment, itâs taking part in the memory as if it were happening again. And when you in the flash, you donât