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know, lights and shades. And yet, with it all, she was more alive than the other—that girl with the perfect body, and the beautiful face, and the crude young strength. I admired Elsa Greer because she had guts, because she could fight, because she stood up to her tormentors and never quailed! But I admired Caroline Crale because she didn’t fight, because she retreated into her world of half lights and shadows. She was never defeated because she never gave battle.”
    He paused:
    â€œI’m only sure of one thing. She loved the man she killed. Loved him so much that half of her died with him….”
    Mr. Fogg, K.C., paused and polished his glasses.
    â€œDear me,” he said. “I seem to be saying some very strange things! I was quite a young man at the time, you know. Just an ambitious youngster. These things make an impression. But all the same I’m sure that Caroline Crale was a very remarkable woman. I shall never forget her. No—I shall never forget her….”

Three
T HE Y OUNG S OLICITOR
    G eorge Mayhew was cautious and non-committal.
    He remembered the case, of course, but not at all clearly. His father had been in charge—he himself had been only nineteen at the time.
    Yes, the case had made a great stir. Because of Crale being such a well-known man. His pictures were very fine—very fine indeed. Two of them were in the Tate. Not that that meant anything.
    Mr. Poirot would excuse him, but he didn’t see quite what Mr. Poirot’s interest was in the matter. Oh, the daughter! Really? Indeed? Canada? He had always heard it was New Zealand.
    George Mayhew became less rigid. He unbent.
    A shocking thing in a girl’s life. He had the deepest sympathy for her. Really it would have been better if she had never learned the truth. Still, it was no use saying that now .
    She wanted to know? Yes, but what was there to know? Therewere the reports of the trial, of course. He himself didn’t really know anything.
    No, he was afraid there wasn’t much doubt as to Mrs. Crale’s being guilty. There was a certain amount of excuse for her. These artists—difficult people to live with. With Crale, he understood, it had always been some woman or other.
    And she herself had probably been the possessive type of woman. Unable to accept facts. Nowadays she’d simply have divorced him and got over it. He added cautiously:
    â€œLet me see—er—Lady Dittisham, I believe, was the girl in the case.”
    Poirot said that he believed that that was so.
    â€œThe newspapers bring it up from time to time,” said Mayhew. “She’s been in the divorce court a good deal. She’s a very rich woman, as I expect you know. She was married to that explorer fellow before Dittisham. She’s always more or less in the public eye. The kind of woman who likes notoriety, I should imagine.”
    â€œOr possibly a hero worshipper,” suggested Poirot.
    The idea was upsetting to George Mayhew. He accepted it dubiously.
    â€œWell, possibly—yes, I suppose that might be so.”
    He seemed to be turning the idea over in his mind.
    Poirot said:
    â€œHad your firm acted for Mrs. Crale for a long period of years?”
    George Mayhew shook his head.
    â€œOn the contrary. Jonathan and Jonathan were the Crale solicitors. Under the circumstances, however, Mr. Jonathan felt that he could not very well act for Mrs. Crale, and he arranged withus—with my father—to take over her case. You would do well, I think, Mr. Poirot, to arrange a meeting with old Mr. Jonathan. He has retired from active work—he is over seventy—but he knew the Crale family intimately, and he could tell you far more than I can. Indeed, I myself can tell you nothing at all. I was a boy at the time. I don’t think I was even in court.”
    Poirot rose and George Mayhew, rising too, added:
    â€œYou might like to have a word with Edmunds, our managing clerk. He