I was supposed to be here. Itâs definitely not the Motel 6. The lobby reminds me of the inside of one of those science labs where they solve crimes on TV, except there are a bunch of cute girls hanging around instead of nerdy scientists. I mean, there are more good-looking girls in this one hotel lobby than in all of Calumet put together.
The desk clerk looks me up and down before he types my name into the computer. âMr. Buckley, youâre with Spotlight ?â
Nobodyâs ever called me Mr. Buckley before, outside of school when I was in trouble. âYes, sir,â I say. âThatâs me.â
He picks up a phone, dials, and has a quick conversation. â. . . no, heâs here now. Yes, heâs standing right in front of me. Okay.â He hangs up. âThe producer will be right down, Mr. Buckley, if you want to have a seat on one of the lounge chairs.â
The last part of the drive out Iâd been filled with weird confidence. Felt like the whole city was waiting out here just for me. But now, looking around at this crime lab with the attractive girls and the DJ playing his bleep-bleeps and boops, I start feeling pretty nervous.
They arenât gonna let me in this thing . I didnât even call to tell them that I was making the drive. I didnât even call them after I missed the plane. What if Iâm disqualified already? I probably am. Stupid. What was I thinking anyway? I donât even have enough money to make it back home. Theyâre probably sending a security guard down to throw me out of here.
âFord?â A womanâs standing in front of me in a silk robe, like I woke her from sleeping. She doesnât look as old as I thought a producer would, but she does look pretty annoyed.
âSorry Iâm late.â
She puts two fingers to her eyebrows like Iâve given her a headache. âWhere the hell have you been? You made me feel like some soccer mom who lost her overgrown kid at the mall, you know what Iâm saying? I had a PA talk to the guy at your workââ
âLeander?â
âI guess? He said you were âgoing to be here, he guaranteed it.â But there was no way to reach you. There are these things called cell phones.â
âYeah, I donât have one right now.â I shrug, then ask, âWhatâs your name?â
âWhat?â She seems to awaken, and looks at me in surprise.
âYour name.â
I swear sheâs acting like I asked her what she wants for Christmas. Finally she gets over the surprise and says, âCatherine.â
âHi, Catherine, nice to meet you. Like I said, sorry Iâm late. I got held up on account of some family stuff.â
âWeâve been trying to decide on a replacement for you all day. You know, I was one of the ones who really fought for you because I thought the show could use a little hayseedâno offense,â she tells me. âYou made me look bad.â
I look her in the eyes. âIâm real sorry, and thatâs the best Iâve got. If you let me compete, it wonât happen again. Iâll be punctual.â
She studies me, and I can sense sheâs starting not to be annoyed anymore. âDid you buy your own ticket?â
âNo, I drove.â
âYou drove out here?â
âOn my motorcycle.â
She jumps up and down one time like a little girl. âWe should get some footage of you on the motorcycle! It will kill in your video package, set up that whole personal narrative of an outsider rolling into town on a cloud of dust. Iâm picturing dirt. Torn denim. Maybe we get a tumbleweed.â She seems so suddenly excited that I get excited too, thinking Iâm back in.
But then her expression goes flat as fast as it lit up and she says, âIâve got to talk to my executive producer. Hold on.â
She steps away to make a call on her cell phone. Itâs in a sparkling case.