Dictator
knew exactly what they were doing. That could only mean Dick Stratten, or one of the very few family retainers who were trusted enough to know about the shelter.
    Then the hatch was flung open and a disembodied voice – a refined, educated voice – commanded them, ‘Put down your guns. They are of no help to you now. My men have hand-grenades. If you do not leave the shelter within the next ten seconds, unarmed, holding on to the ladder with both hands, they will blow you to pieces. Ten … nine …’
    ‘You two-faced little shit,’ hissed Jacqui Stratten. Then she gripped the ladder and called ‘We’re coming up!’ as she stepped up into the beam of light coming through the open hatch.
    Zalika Stratten followed her mother. Before she’d reached the top of the ladder, strong hands reached down to grab her, pull her upwards and dump her on the workshop floor. She landed by a man’s feet, clad in expensive, barely worn safari boots.
    She heard the man’s voice bark, ‘Take the mother away.’
    Zalika raised her face and looked Moses Mabeki in the eye as he said, ‘Your brother is dead. Your father is dead. Your mother will soon be dead. You, however, are coming with me.’

9
     
    Two weeks later, a man named Wendell Klerk phoned Carver and summoned him to a meeting at a hotel on the northern shore of Lake Geneva. Klerk did not say what he wanted to discuss. He did not need to. He merely barked, ‘Be there in thirty minutes,’ and hung up without waiting for an answer.
    Carver was intrigued. Klerk was as familiar a figure in the gossip columns, invariably attached to the latest in a long line of beauty-queen blondes, as he was in the business pages. Born into a working-class white family, one of two children of a railway worker and his socially ambitious teacher wife, Klerk had fought on the losing side in the civil war and left the country soon after British Mashonaland’s rebirth as Malemba. He’d settled in Johannesburg, South Africa, from where he’d built an international business empire whose interests included gambling, hotels, construction and mining – ‘from casinos to coalmines’ as one reporter had put it. Klerk was known as a tough operator. Over the years both journalists and hostile politicians had accused him of corruption, bribery and even ties to organized crime. But none of the charges had stuck. If anything, they had just made the public warm to Klerk as a tough but likeable renegade.
    In recent weeks, however, Klerk had been in the news for very different reasons. Carver assumed that was the reason for the call. Out of curiosity, if nothing else, he wanted to know what Klerk had in mind.
    Twenty-seven minutes later, Carver walked into the reception of a modern low-slung building faced in brick and terracotta rendering that made it look more Moroccan than Swiss. He was led by one of the staff across the ground-floor reception area, out past a swimming-pool ringed with unoccupied sun-loungers and down into a tunnel which passed under the main road that ran along the lakeshore. At the far end of the tunnel a jetty stretched out across the water. A long, thin wooden motorboat that resembled a Venetian water-taxi was moored at the far end.
    The boat belonged to the hotel, whose insignia was embroidered on the pennant that fluttered from its stern. But the man standing at the open wheel in front of the covered passenger cabin was not one of the standard white-jacketed hotel boatmen. He wore the global uniform of the upmarket heavy: black suit, tie, shades and shoes; white shirt; earpiece; a gun invisibly but unquestionably secreted somewhere about his person.
    Carver was patted down, then ushered into the cabin where Wendell Klerk was waiting. Klerk’s short, stocky, powerful body, with its snub-nosed peasant’s face and tightly curled black hair, looked as incongruous as a cannonball deposited on the elegant quilted seating. The two men shook hands, then sat in silence as the boat was cast
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