Dialogues of the Dead Read Online Free PDF

Hitler and Wittgenstein were in the same class at school. So what?' 'So why don't we flaunt our knowledge in The Dog and Duck one night?' 'Well, it's quiz night tonight. You never know. It might come up.' Thus had armistice been signed before hostilities proper began. When talk finally turned to the writing course, Penn, after token haggling, accepted terms for making the occasional 'old pro' appearance, and went on to suggest that if Johnson was interested in a contribution from someone at the other end of the ladder, he might do worse than soon-to-be-published novelist Ellie Pascoe, an old acquaintance from her days on the university staff and a member of the threatened literary group. This version of that first encounter was cobbled together from the slightly different accounts Ellie received from both participants. She and Johnson had hit it off straightaway. When she
    21 invited him home for a meal, the conversation had naturally centred on matters literary, and Pascoe, feeling rather sidelined, had leapt into the breach when Johnson had casually mentioned his difficulty in finding a squash partner among his generally unathletic colleagues. His reward for this friendly gesture when Johnson finally left, late, in a taxi, had been for Elbe to say, 'This game of squash, Peter, you will be careful.' Indignantly Pascoe said, 'I'm not quite decrepit, you know.' 'I'm not talking about you. I meant, with Sam. He's got a heart problem.' 'As well as a drink problem? Jesus!' In the event it had turned out that Johnson suffered from a mild drug-controllable tachycardia, but Pascoe wasn't looking forward to describing to his wife the rapid and undignified conclusion of his game with someone he'd categorized as an alcoholic invalid. 'Mate of Ellie's, eh?' said Dalziel with a slight intake of breath and a sharp shake of the VCR which, with greater economy than a Special Branch file, consigned Johnson to the category of radical, subversive, Trotskyite troublemaker. 'Acquaintance,' said Pascoe. 'Do you want a hand with that, sir?' 'No. I reckon I can throw it out of the window myself. You're very quiet, mastermind. What do you reckon?' Sergeant Edgar Wield was standing before the deep sashwindow. Silhouetted against the golden autumn sunlight, his face deep shadowed, he had the grace and proportions to model for the statue of a Greek athlete, thought Pascoe. Then he moved forward and his features took on detail, and you remembered that if this were a statue, it was one whose face someone had taken a hammer to. 'I reckon you need to look at the whole picture,' he said. 'Way back when Roore were a student at Holm Coultram College before it became part of the university, he got sent down as an accessory to two murders, mainly on your evidence. From the dock he says he looks forward to the chance of meeting you somewhere quiet one day and carrying on your interrupted conversation. As the last rime you saw him alone he was trying to stove your head in with a rock, you take this as a threat. But we all get threatened at least once a week. It's part of the job.' Dalziel, studying the machine like a Sumo wrestler working out a new strategy, growled, 'Get a move on, Frankenstein, else I'll start to wish I hadn't plugged you in.' Undeterred, Wield proceeded at a measured pace. 'Model prisoner, Open University degree, Roote gets maximum remission, comes out, gets job as a hospital porter, starts writing an academic thesis, obeys all the rules. Then you get upset by them threats to Ellie and naturally Roote's one of the folk you need to take a closer look at. Only when you go to see him, you find he's slashed his wrists.' 'He knew I was coming,' said Pascoe. 'It was a set-up. No real danger to him. Just a perverted joke.' 'Maybe. Not the way it looked when it turned out Roote had absolutely nothing to do with the threats to Ellie,' said Wield. 'He recovers, and a few months later he moves here because (a) his supervisor has moved here and (b) he can