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white hall. This was one of the worst censures, second only to being sent to Reverend Mother’s office, and it was the first time for me. I had no idea why I was there, and I wanted to hide. There was the cloakroom behind the elevator, the play deck on the roof above, or the dusty wings of the velvet-curtained stage in the assembly hall two floors down. Shame welled up in me, and I began to cry. I realized that the only way to get through the rest of the year with Sister Caroline was to dim myself, to silence whatever voice I had.
Blinded by tears, I turned down the hall. By the kindergarten rooms, thumbtacked neatly on bulletin boards, were rows of colored paper with cracked finger paint and names written in Miss Mellion’s black felt pen. With all my heart, I wanted to push the classroom door open, grab one of the little-girl smocks that hung on hooks in the cubbies, and bury myself forever in Miss Mellion’s soft, warm, British lap. And when I realized I couldn’t, I began to sob harder.
Then something strange began to happen. I couldn’t move, the floor seemed to swell beneath me, and a wave of everything I remembered from the year before came over me: Miss Mellion’s throaty laugh, singing a song during show-and-tell, the rounded inkwells in our yellow wooden desks, the red rug where we lay at nap time, the delicate chiming of Miss Mellion’s bracelets, the sun from the open window on Elizabeth’s gold hair. I was frightened at first, but then I gave over to the barrage of color and sound.
When it was over, I was no longer crying. I had lost track of time, and that felt like relief. Although I sensed that six was a bit young for this style of reminiscing, I also discovered that memories of pleasure—of what I longed for and what no longer was—had calmed me. They were as real as the long hall I stood in or the Gospel words on the banner nearby or Sister Caroline’s virulent disdain of me. I took the secret of that day, and later, on nights when I couldn’t sleep, I would choose a memory. Lying on my back with my eyes shut to the dark, I’d pick one, imagining it was a selection on a jukebox. I would wait until, like a shiny 45, it dropped and slowly began to spin.
It might be that the desire to turn back is passed on. I believe that. But it could also be that this place so redolent of the past had claimed me, marked me, like the smudge of Lenten ashes burned from the blessed palms of the year before.
Famous people’s children went to Sacred Heart, and in that way, it was like any private school in New York. The nuns were indifferent—they treated everyone the same—but names were whispered down, as in a game of telephone, during gym or in the lunch line. There was the daughter of Spike Jones, a big band leader of the forties and fifties (this impressed my father to no end; he had an eight-track tape of Glenn Miller, and he played it on all our car rides); the great-granddaughters of Stanford White; the nieces of William F. Buckley and Carroll O’Connor; and, for one infamous year at the height of Watergate, John and Martha Mitchell’s shy, red-haired daughter, Marty. Caroline Kennedy and her cousins Sidney and Victoria were older than me. I saw them in the halls, during fire drills, or at congé, a surprise feast held twice a year, when we played hide-and-seek en masse and ate cake and tricolor ice cream in paper cups with lids that peeled off with a pop. But at that age, the world consisted of the thirty-two girls in my grade—and a few of the mean ones in the grade ahead.
On a spring day in 1969, when I was where I shouldn’t have been, I saw her. No longer Mrs. Kennedy, she had married the previous October and was now Mrs. Onassis.
Arrivals and departures took place on Fifth Avenue through a small door that led to an industrial staircase. At the end of the day, the older girls headed off with colored passes for the downtown bus or the crosstown bus, but the lower school girls boarded private