all the way back to the dorms. I didnât even wait for the elevator.â
âBut would you have waited for the elevator if you hadnât been in love?â she asked lightly.
âOh God!â he groaned. âI know youâre not interested.â
âBut I am interested.â
âSusan ⦠why donât we just go to the movies?â
They walked down Third Avenue. She had put her arm through his, a young lady on a promenade. They did not attempt to talk, but there were all the antique-shop windows to look at; they stopped methodically in front of each and stared at the accumulations of rickety furniture and ornate china and once useful objects with names that were no longer remembered. Susan hated antiques. It depressed her to think that tea kettles and candlesticks could survive human beings. Her own furniture, she decided, would be as modern and impermanent-looking as possible, and it would fall apart soon after she died. Once, for a moment, she and Jerry were reflected in a massive gold-framed mirror that perhaps had reflected a Louis Fourteenth lady, and Susan saw that they looked like two people who might be walking on together forever, arm in arm, long past the point where Third Avenue ended and there were no more antique shops and the worldâs unknown space beganâthey might have looked that way too to the quick glance of a stranger. She let her arm slip from Jerryâs, wanting to stand alone. âAre you all right?â he asked.
âOf course.â She let him take her hand.
âMaybe weâll find a French movie,â he said, âall about the dangers of Paris. People hiding out in sewers.â
âIâd love to hide in a sewer.â
âYou just think you would.â
âMaybe Iâll do anything I want to.â
âWell,â he said, âI think youâll be glad to come back here in the end.â
She laughed exultantly. âIn the end, perhaps. But not in the beginning, not now.â
âOh,â he said quietly, âI see.â
They had begun to walk very quickly. He was whistling; he whistled âOh, Susannahâ and âTea for Two.â âHey,â she protested, stopping for a moment, âIâm wearing heels.â He grabbed her wrist roughly and jerked her along behind him like a disobedient child. She pulled herself free. âI refuse to walk like this, Jerry.â But strangely enough, she was not angry with him; she stood before him laughing, feeling an immunity in laughter.
âThereâs a movie theater four blocks away,â he said. âThatâs where weâre going.â
âDo you know whatâs playing?â
âNo, I donât. I just want to get there.â
âJerry ⦠I donât think we ought to go to the movies.â The sound of her voice seemed peculiarly distinct.
âWhy not?â he said defiantly.
âI think we should go somewhere and talk.â
âOh,â he said slowly, âI know whatâs coming.â
âDo you?â
âYes, I think I know. Youâre going to say itâs all overâright? Thatâs that.â He raised his hand uncertainly, then snapped his fingers in the air. âIs that what you mean?â
He was so permanent, tangible, standing there in the street. It seemed impossible that words could make him vanish. âYes,â she whispered. âI guess ⦠â
âJust like that!â he cried.
âJerry,â she said timidly, âitâs been coming on.â
âSure. I know.â He looked up at the street lamp and then at the cars passing and the people. It seemed to Susan as though everything were moving except them. âThis is a hell of a place to have a conversation,â he said.
âBetter than the subway.â She tried to laugh, hoping he would too. She couldnât look at his face.
âDo you feel anything at all?â he