blues arrived and secured the scene, but it had been loud and one of the cops shut it off.
Kaminski fixed his eyes on the victim. He wore a blue and gold robe. It was a flimsy, silky fabric that he wouldnât be caught dead in.
Which, of course, Alex Connelly had just been.
He had slippers on his feet. Nothing else.
âWhat does the vic do for a living?â
âWorks for an investment firm downtown. About middle on the high-up scale, if you ask me. You know, makes enough dough for a lease on this place, but not enough to buy it.â
âLexus, actually a his and hers, in the garage, er, carriage house,â one of the cops said, correcting himself. âNot a Porsche.â
âAlmost feel sorry for him,â Kaminski said. âYou know, not being able to get a Porsche.â
It took three men to move the body to the split-open bag. In doing so, the robe slipped to reveal the victimâs chest. A tattoo of an eagle with artillery and olive branches in its talons soared over his right pec, which, given his age, was well defined.
âNice ink,â Kaminski said. âLooks like navy.â
While the techs and cops worked together to process the scene for evidence, Kaminski took a tour of the house. It was late by then, but the place seemed as if it had been ready for a Realtorâs open house. Nothing was out of place. The kitchen, small by the standards of what modern people wanted, was nicely redone to include the niceties that big-bucked folks wanted. A Sub-Zero refrigerator was clad in white cabinetry to match the rest of the kitchen. A Viking range was another giveaway that the place had been redone. Nothing was out of place on the plane of soapstone that served as the counter.
Upstairs, Kaminski entered the master bedroom. A Rice bed that in someone elseâs house would have been ridiculously oversize commanded the large room. The bed had been turned down. All perfect.
The dead guy was in a silky robe and slippers.
Where were his clothes?
The bathroom was also show-ready. He went inside and a flash of red caught his eye. On a hook on the back of the door, a womanâs teddy.
Nice , he thought.
As he moved the door, the fabric fluttered, like a red flag.
He opened the shower door and caught a whiff of cleaner. The marble surface was slick, dripping wet.
Cal appeared in the doorway.
âEverything diagrammed, photographed. ME is taking the body now. Some blood in the hallway, fair amount of spatter on the wall behind the couch. Weâre dusting everything. Place is pretty clean. Must have a maid.â
âAll right. Iâm going to the hospital to see Mrs. Connelly.â
âTechs are there now.â
âGunshot residue?â
âHands have been swabbed.â
Kaminski nodded. âPrelim?â
âClean.â
The two started down the stairs as the body was being carried out, bagged and tagged, on a gurney. A breeze from Commencement Bay filled the air with marine smells, a welcome reprieve from the odor of blood and gunfire.
âShe talk?â
âNot on the way to St. Joeâs. Didnât say a word. Told the neighbor that a guy broke in, shot her and her old man. Nobodyâs seen anything to approximate a break-in.â
âSecurity system?â
Cal watched the ambulance doors as they closed on Alex Connelly.
âLooks like it was turned off,â he said.
The sirens started and about ten onlookers started to head back to their homes.
âShow over,â Kaminski said. âAt least for now. Iâm going to the hospital.â
Most who inhabit such a fine street as North Junett would consider the most dominating piece of artwork that hung in the Connelly living room as something incongruent with the homeâs stature or the place in society that its inhabitants surely held. It was a bourgeois depiction of a stone cottage in the midst of a snowstorm. The artist, Thomas Kinkade, was known for a popular,