means,
This may not be the world thatâs on your string
But this is Godâs world, there is goodness there is sin
We have to learn the difference again and again
Your shadow is the Good Lordâs light not passing through you,
You are dense, youâre opaque
that ought to tell you something, for Godâs sake!
At twelve oâclock when my time comes to an end?
I know that I will climb the stairway to heaven!
I will hear them say, Donât bother knocking the gate is open!
I will feel His warm celestial light shine down upon me
And when I turn around my shadow will be gone!
Sent back down to bring another soul along!
O happy day, when the bell begins to toll for all the worldâs poor soulsâ
I can tell you they wonât be feeling blue
When they find out itâs His glory theyâve been strolling to!
(
enthusiastic applause
)
The singer is saying, âOf all the troubles Iâve seen
The last and worst is the trouble of never again having someone to tell my troubles to.â
In fact heâs saying, âIâd be trouble-free
If I had someone to listen other than me.â
This is a mourning song of love lost
Remembering a time of past happiness
When he was one half of a fine-looking high-stepping couple enjoying a walk on the day of rest
Where now he has only his own pale shadow for company.
And itâs not as if this isnât some festive scene everything in color, alive and humming with other fine-looking high-stepping couples on their Sabbath walk under the flags in the warmth of the morning sun
So that it might be an Easter parade of the cityâs populationâ
Not at all. The rest of this city is turned out in its best
Whereas for him, singing a dirge of his soulâs lost romance
Alone, independent, heâs atonal, he is dissonance.
And when he reaches the destination of all shadowed beings,
the most silent and mysterious of buildings,
Before he can knock the door swings open
And he steps into the darkness of the shadow cast by God.
And the singer has to acknowledge as he steps through the door,
âIn His shadow I am nothing, donât even have my shadow anymore.â
(
a few hands clapping
)
Shadow me,
shadow you,
whatâs a shadow
gonna do. . .
Up at dawn,
hides at noon,
evening comes
does the moon
Go to ground,
make no sound,
mourners done,
shadowâs gone.
âWhat if thereâs no heaven, just a door?
âI donât even have my shadow anymore. . .
âWe donât know the glory we are strolling toward. . .
âGone, shadowâs gone.
Me and My shadow,
Strolling down the avenue.
Me and my shadow
Not a soul to tell our troubles to. . .
(
wild acclaim
)
âThat the universe, including our consciousness of it, would come into being by some fluke happenstance, that this dark universe of incalculable magnitude has been accidentally self-generated. . . is even more absurd than the idea of a Creator.
Einstein was one physicist who lived quite easily with the concept of a Creator. He had a habit of calling God the Old One. That was his name for God, the Old One. He was not a stylish writer, Albert, but he chose words for their precision. One way or another God is very old. . . because archaeologists in the fifties discovered a sacred ossuary cave of the Neanderthals on the Tyrrhenian coast of the Pomptine Fields in western Italy. They found the skull of a male buried within a circle of stones. The cranium had been severed from the jaw and brow and used for a drinking bowl. Thatâs how old God is. So Einstein is right about that. And
One
. . . because God is by definition not only unduplicable and all-encompassing but also without gender. So the phrase is really very exact: the Old One. Not much in the way of a revelation, of course. Albert thought of his work in physics as tracking God, as if God lived in gravity, or shuttled between the weak nuclear force and the strong nuclear force,
Patria L. Dunn (Patria Dunn-Rowe)