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photograph of the girl from East River Park, but she didn’t want to do the ID that way. Not in a crowded Midtown hotel lobby. Not now.
    ‘Do you have a picture of your friend?’
    The girls both shook their heads.
    ‘You sure?’ Ellie recalled the band students outside snapping shots with their phones. ‘Not in your cell phone or something?’
    ‘Yeah, right. No, of course.’ The one called Jordan stepped over to a tangle of bags that were piled in the corner next to the bell stand counter. She rifled through a large white tote, pulled a patent leather clutch from the larger bag, and then began sifting through its tightly packed contents. ‘Sorry. You have to put everything in two bags for the airlines.’

    She finally slid out an iPhone and pushed a few buttons before holding it out toward Ellie. ‘That’s her, just last night at dinner. In the middle.’
    Ellie took the device from her and peered closely at the picture. The three friends were huddled together, posing for the camera with open-mouth smiles, as if they’d been laughing. A bystander in the background didn’t look too happy with them. The girls had probably been too rowdy for the restaurant. At least their last night together had been a happy one.
    It was a small screen, but she could make out three faces. The girl on the right was Stefanie Hyder, with her hair down and her eyes bright, not bloodshot as they were now. The one on the left was pixie-haired Jordan.
    And Ellie recognized the girl in the middle as well. She recognized the long shiny blond hair before it had been hacked off. She recognized the red sleeveless shirt, chosen no doubt to match the crimson bead chandelier earrings that peeked out from behind the beautiful blond hair. And she recognized the smiling face before someone had used it as a carving board.

Chapter Six
     

    When Ellie was seven years old, her father had come home with a bandage on his temple.
    Jerry Hatcher had been working a missing child case for more than a month. For more than thirty nights, the family had known their daughter was missing. The family had known for more than a month that their girl was last seen leaving Cypress Park with an adult male whose description was wholly unfamiliar.
    Ellie’s father focused on a suspect who had a pattern of arrests for indecent exposure to children in Cypress Park. The guy had missed work the day of the abduction. The next day, too. The evidence was thin, but the case was high-profile. Ellie’s dad managed to get a warrant. He found the missing girl’s body in an oil drum that was buried beneath the suspect’s brand-new hot tub.
    Three days after delivering the news to the girl’s parents, Detective Jerry Hatcher had used the past tense. He hadn’t known how to fill the silence as the parents sat side by side on the sofa, staring at the framed picture of their daughter’s second-grade portrait. Everyone tells me your daughter had a smile that lit up the room .

    It was a sentiment offered in kindness. Trite, maybe, but well intended. The victim’s father had upended the coffee table and shoved Jerry Hatcher into the fireplace mantel. Why? Because he’d used the past tense too soon.
    Ellie’s memories of her father were filled with stories like that one. Other kids’ fathers talked about client meetings when they got home from work. Or a real piece of work on the delivery route. Or a tough cross-examination of a trial witness. Ellie’s father explained why he had a bandage on his head, and if the telling of the story happened to involve an eight-year-old girl buried in an oil drum, so be it.
    And, although she didn’t realize it at the time, she’d learned from those stories. On that particular day, she’d learned never to use the past tense. Even after delivering the news to the family. Even after the official ID. Even after the body’s in the ground. Until the family starts using the past tense, everyone else must remain in the present.
    Of course