the top, like something floating to the surface of a liquid. There were no flowers to get in the way this time, nothing for the body to trip over, as the zombie sat up and looked around.
One thing I had noticed with not killing the animals was that my zombies werenât as pretty. With a chicken I could have made Gordon Bennington look like his photo in the paper. With only my own blood, he looked like what he was, a reanimated corpse.
He wasnât awful, Iâd seen much worse, but his widow screamed, long and loud, and began to sob. There had been more than one reason I wanted Mrs. Bennington to stay home.
The nice blue suit hid the chest wound that had killed him. But you could still tell he was dead. It was the odd color of his skin. The way the flesh had begun to sink into the bones of his face. His eyes left too round, too large, too bare, so they rolled in their sockets barely contained by the waxy flesh. His blond hair was patchy and looked like it had grown. But that was illusion, caused by the shrinking of the meat of his body. Hair and fingernails do not grow after death, contrary to popular belief.
There was one more thing I had to do to help Gordon Bennington speak. Blood. The Odyssey speaks of blood sacrifice to get a dead seerâs ghost to give Odysseus advice. Itâs a very old truism that the dead crave blood. I walked across the now solid ground and knelt by his puzzled, wizened face.I couldnât smooth my skirt down in back because one hand was full of machete and the other was bleeding. Everyone got a nice long glimpse of thigh, but it didnât really matter, I was about to do the thing that disturbed me the most since I stopped sacrificing poultry.
I held out my hand towards Gordon Benningtonâs face. âDrink, Gordon, drink of my blood and speak to us.â
Those round, rolling eyes stared at me, then his sunken nose caught the scent of blood, and he grabbed my hand with both of his, and lowered his mouth to the wound. His hands felt like cold wax with sticks inside. His mouth was almost lipless, so his teeth pressed close in my flesh as he sucked at my hand. His tongue whipped back and forth on the wound like something separate and alive in his mouth, feeding from me.
I took a deep, steadying breath, breathe in and out, in and out. I would not be sick. Nope. I would not embarrass myself in front of this many people.
When I thought heâd had enough, I said, âGordon Bennington.â
He didnât react, but kept his mouth pressed to the wound, his hands clutching my wrist.
I tapped the top of his head gently with the side of the machete. âMr. Bennington, people are waiting to talk to you.â
I donât know if it was the words or the tap with the blade, but he looked up, and slowly began to pull back from my hand. His eyes held more of him now. The blood always seemed to do that, fill them back up with themselves.
âAre you Gordon Bennington?â I asked. We had to be all formal.
He shook his head.
The judge said, âWe need you to answer out loud, Mr. Bennington, for the record.â
He stared up at me. I repeated what the judge had said, and Bennington spoke, âI am, was, Gordon Bennington.â
One of the upsides to raising the dead with only my blood was that they always knew they were dead. Iâd raised some before where they didnât know that, and that was a bitch, telling someone that they were dead, and you were about to put them back in the grave. Real nightmare stuff, that was.
âHow did you die, Mr. Bennington?â I asked.
He sighed, drawing in air, and I heard it whistle, because most of the right side of his chest was missing. The suit hid it, but Iâd seen the forensic photos. Besides I knew what a mess a twelve-gauge shotgun makes at close range.
âI got shot.â
There was a tension behind me, I could feel it over the buzz of the power circle. âHow did you get shot?â I asked,