what the zombie would say. It was way closer than fifty feet, but both parties needed to hear Gordon Bennington, or so the judge had ruled. The judge in question had actually joined us, along with a court reporter and her little machine. Heâd also brought along two burly looking bailiffs, which made me think the judge was even smarter than he looked, and Iâd been pretty impressed before. Not every judge will take zombie testimony.
For tonight Lindel graveyard was court. I was glad that Court TV hadnât gotten wind of it. It was just the kind of weird crap that they liked to televise. You knowâtranssexualâs custody case; female teacher rapes thirteen-year-old boy student; pro-football playerâs murder trial. The O. J. Simpson trial had not been a good influence on American television.
The judge said in his booming, court voice, which echoed strangely in the flat emptiness of the cemetery, âGo ahead, Ms. Blake, weâre all assembled.â
Ordinarily Iâd have beheaded a chicken and used its body to help me sprinkle a blood circle, a circle of power, to contain the zombie once it was raised so it wouldnât go wandering all over the place. The circle also helped focus power and raise energy. But I had no chickens at the moment. There was a chance that if Iâd tried to get enough blood out of my body to walk even a small circle of power, Iâd be finished for the night, too dizzy and too light-headed to do anything else. So whatâs a morally upright animator supposed to do?
I sighed and unsheathed the machete and heard several gasps behind me. It was a big blade, but Iâd found that in beheading a chicken one-handed you needed a big, sharp blade. I stared at my left hand and tried to find a space that was bandage free. I put the top edge of the blade against my middle finger (the symbolism was not lost on me) and pressed. I kept the machete too sharp to risk drawing the blade down my finger. It would be a bitch to need stitches because Iâd cut too deep.
The cut didnât hurt immediately, which meant Iâd probably cut deeper than I wanted. I raised my hand so the moonlight fell on it, and saw the first dark welling of blood. The moment I saw it, the cut hurt. Why was it that everything hurt worse when you realized you were bleeding?
I began to walk the circle, holding the steel point downward, my bleeding finger flat to the earth, so that occasional drops would hit the ground. Iâd never truly felt the machete carving the magic circle through the ground, through me, until I stopped killing animals. It had probably always been like a steel pencil tracing my circle, but Iâd never ever been able to feel it over the stronger rush of the death. I felt each drop of blood that fell, felt the earth almost hungry for it, like rain in a drought, but it wasnât the moisture the earth drank, it was the power. I knew when Iâd walked the entire circle around the headstone, because the moment I touched the place where Iâd begun, the circle closed with a skin-tingling, hair-raising rush.
I turned to face the headstone, feeling the circle around me like an invisible trembling in the air. I went to the headstone, which was at the far end of the circle. I tapped the headstone with the machete. âGordon Bennington, with steel I call you from your grave.â I touched my bloody hand to the cold stone. âWith blood I call you from your grave.â I moved back to the far edge of the circle, at the foot of the grave. âHear me now, Gordon Bennington, hear and obey. With steel, blood, and power, I command you to rise from your grave. Rise from your grave and walk amongst us.â
The earth rolled like heavy water and just spilled the body upward. In the movies the zombies always crawl from the grave with reaching hands like the ground tries to keep them prisoner, but most of the time, the earth gives freely, and the zombie simply rises to
Arnold Nelson, Jouko Kokkonen