for you.
MARGARET:
Feel embarrassed! But don't continue my torture. I can't live on
and on under these circumstances.
BRICK:
You agreed to—
MARGARET:
I know but—
BRICK:
—Accept that condition!
MARGARET:
I CAN'T! CAN'T! CAN'T!
[ She seizes his shoulder. ]
BRICK:
Let go!
[ He breaks away from her and seizes the
small boudoir chair and raises it like a lion-tamer facing a big circus
cat.
[ Count five. She stares at him with her fist
pressed to her mouth, then bursts into shrill, almost hysterical laughter. He
remains grave for a moment, then grins and puts the chair down.
[ Big Mama calls through closed
door. ]
BIG MAMA:
Son? Son? Son?
BRICK:
What is it, Big Mama?
BIG MAMA [ outside ]:
Oh, son! We got the most wonderful news about Big Daddy. I just had t’
run up an” tell you right this—
[ She rattles the knob. ]
—What's this door doin’, locked, faw? You
all think there's robbers in the house?
MARGARET:
Big Mama, Brick is dressin’, he's not dressed yet.
BIG MAMA:
That's all right, it won't be the first time I've seen Brick not
dressed. Come on, open this door!
[ Margaret, with a grimace, goes to unlock
and open the hall door, as Brick hobbles rapidly to the bathroom and kicks the
door shut. Big Mama has disappeared from the hall. ]
MARGARET:
Big Mama?
[ Big Mama appears through the opposite
gallery doors behind Margaret, huffing and puffing like an old bulldog. She is a
short, stout woman; her sixty years and 170 pounds have left her somewhat
breathless most of the time; she's always tensed like a boxer, or rather,
a Japanese wrestler. Her “family” was maybe a little superior to
Big Daddy's, but not much. She wears a black or silver lace dress and at
least half a million in flashy gems. She is very sincere. ]
BIG MAMA [ loudly,
startling Margaret ]:
Here—I come through Gooper's and Mae's gall'ry door.
Where's Brick? Brick —Hurry on out
of there, son, I just have a second and want to give you the news about Big
Daddy.—I hate locked doors in a house. . . .
MARGARET [ with
affected lightness ]:
I've noticed you do, Big Mama, but people have got to have some moments of privacy, don't they?
BIG MAMA:
No, ma'am, not in my house, [ without pause ] Whacha took off you’ dress
faw? I thought that little lace dress was so sweet on yuh, honey.
MARGARET:
I thought it looked sweet on me, too, but one of m’ cute little
table-partners used it for a napkin so—!
BIG MAMA [ picking
up stockings on floor ]:
What?
MARGARET:
You know, Big Mama, Mae and Gooper's so touchy about those
children—thanks, Big Mama . . .
[ Big Mama has thrust the picked-up
stockings in Margaret's hand with a grunt. ]
—that you just don't dare to suggest there's any
room for improvement in their—
BIG MAMA:
Brick, hurry out!—Shoot, Maggie, you just don't like
children.
MARGARET:
I do SO like children! Adore them!—well brought up!
BIG MAMA [ gentle—loving ]:
Well, why don't you have some and bring them up well, then, instead of all the
time pickin’ on Gooper's an’ Mae's?
GOOPER [ shouting
up the stairs ]:
Hey, hey, Big Mama, Betsy an’ Hugh got to go, waitin’ t’ tell
yuh g'by!
BIG MAMA:
Tell ‘em to hold their hawses, I'll be right down in a
jiffy!
[ She turns to the bathroom door and calls
out .]
Son? Can you hear me in there?
[ There is a muffled
answer. ]
We just got the full report from the laboratory at the Ochsner Clinic, completely
negative, son, ev'rything negative, right on down the line!
Nothin’ a-tall's wrong with him but some little functional
thing called a spastic colon. Can you hear me, son?
MARGARET:
He can hear you, Big Mama.
BIG MAMA:
Then why don't he say something? God Almighty, a piece of news like
that should make him shout. It made me shout, I can tell
you. I shouted and sobbed and fell right down on my knees!
—Look!
[ She pulls up her skirt. ]
See
Janwillem van de Wetering