have to find out.
âThatâll be two bucks,â I say.
The guyâs lips stretch into a smug smile and he plunges his hand into his pocket. Iâm expecting to see a gun, but he pulls out a badge.
âJack Reeger,â he says, flashing the metal at Homer and me. âBut you boys can call me Sarge.â
So this is Reeger. Heâs not about to tell me heâll let up on Myra, so I wait for him to tell me why heâs here. And what it will cost me to get him to leave.
He takes a drag on his smoke and blows a cloud between us, where an implied threat hangs in the air.
âWhereâs Garvey?â he says, with a tone as light as a friend asking for a dime.
I look at the clock. Itâs five past midnight.
âDead,â I tell him. Then I add, âSarge.â
Reegerâs face crunches. He leans on the bar, his cigarette bouncing on the corner of his lips when he speaks. âYou were there tonight, right? There canât be two of you.â
âThere canât be two of anybody,â I snap back. âAnd yes, I was there. Now Iâm here.â I nod at his hooch. âYou owe me two bucks.â
My heartâs dancing fast enough to headline at the Cotton Club.
Reeger pounds his fist on the bar. âHeâs not going to walk away,â he shouts, the corner of his upper lip twisting as he barks. âNow tell me where he is, you white-bleached jigaboo freak whatever the fuck you are.â
He reaches into his jacket and this time Iâm sure a gun is coming out. Homer doesnât wait to find out. He pulls a utility knife from his pocket and presses the steel blade to Reegerâs neck, right under his jaw. I clench my fingers against the smooth brass rail that wraps the bar. Iâm convinced the Sargeâs windpipe is about to start hissing like a steam whistle.
âYou best pay,â Homer says, his eyes aiming straight up toward the ceiling and the vein on the side of his neck bulging. âFork over the two bucks.â
âCalm down, Homer,â I say, but the look in my slow friendâs eyes says he wants to cut Reeger to the floor, badge or no badge.
Reegerâs lids narrow. He reaches into his breast pocket, making a show that heâs not pulling a gun. As he pulls out his billfold, he swings his elbow directly into Homerâs throat. Homerâs blade clangs to the floor and heâs gasping for air.
I go for my gun, but Reeger lunges over the bar and grabs my collar with both hands. Homerâs on the floor across from the bar, croaking.
Reeger pulls my face so close to his that I can see a hair shooting out of the scar on his cheek. âIâll take a look around if you donât mind.â
Then he wraps his right hand behind my head and slams my nose against the brass railing in front of the bar. I feel like Iâve been hit by a speeding subway train. I lift my head up; my temples are pounding and I smell blood trickling out of my nostrils.
The room is spinning, but I can tell Reeger has a gun and heâs pointing it between my eyes.
He says, âYou screw with me, I wonât only drop the hammer on Garvey, Iâll nail you and the retard.â
He walks to the back of the joint and looks into the kitchen before poking his head under the tables in each of the booths. He must be satisfied weâre alone, because he crosses the barroom and walks over to Homer, who has crawled in front of a table in the front room. Homer is on his knees, clutching his Adamâs apple.
Reeger pushes his gun behind Homerâs ear. âNighty-night, Retard.â
Iâll never get over the bar in time to stop Reeger from pulling the trigger. Homer must realize the same thing, because he looks at me and starts bawling.
âMy name is Homer,â he rasps through his sobs before shutting his eyes and waiting for the bullet.
I canât turn awayâI feel as though somebody has to watch Homer when he