chins. And, yes, Friedmanâs vest was smudged with cigar ash. As always.
When Bernhardt sat across the table, Friedman handed over a slip of paper.
âIs this Betty Giles a skip?â Friedman asked. âIs that it?â
âThatâs it.â
âThen you may be in luck.â He pointed to the paper. âThere was a moving violation issued against her car in Santa Rosa, two days ago. Thatâs the citation number, and the license number, and description of the car.â
Gratefully, Bernhardt pocketed the paper. âThis could help. A lot. Thanks, Pete.â
âNo problem.â
âAre you ready to order? Or do you want a drink first?â
âLetâs order.â
After theyâd made their selections, Friedman leaned back in his chair, eyeing Bernhardt quizzically. Bernhardt knew that mannerism, knew what was coming next. He was about to be interrogated.
âSo whatâs doing?â Friedman asked. âHowâs life?â
Bernhardt shrugged. âIt goes on. What can I say?â
âHave you got a girlfriend yet?â
Slowly, Bernhardt smiled. âYouâre a real busybody, you know that? Youâre incorrigible.â
Friedman considered. âHow about âpersistentâ?â
âHow about âpersistently incorrigibleâ?â
âYou havenât answered the question. Anything?â
Bernhardt shrugged. âI know a few women, naturally. Thereâs one, especiallyâwe get together once in a while, get our rocks off. Weâre friends, too, which always makes it nice. But weâre never going to get married.â
âA nice Jewish boy like youâyou were programmed for marriage, donât you understand that? Preprogrammed.â
Sipping a chilled glass of white wine, Bernhardt looked at the other man. Should he tell Friedman about Pamela Brett?
No. God, no. Not yet.
And he didnât have to tell Friedman about Jenny, about their marriage, and how she died. Theyâd gotten past that years ago, he and Friedman. And theyâd never talked about it since.
So, instead, he shifted his ground: âIâm not really so sure I was programmed for marriage. Maybe I was programmed for exactly what Iâm doing. My father died in the war, as you know. And my mother never even considered getting remarried, as far as I know. She did modern dance, and marched for peace, and civil rights, and Israel. Thatâs all she really cared about, I think. Dancing, and marching.â
âYou think.â
Bernhardt shrugged again, thanked the waiter as he served them.
âWhat about Dancer?â Friedman asked. âWhatâs he up toâthe low life?â
âSame as alwaysâmaking money. Heâs got the knack, you know. I finally figured it out. He decided, early in the game, that he wanted rich clients. Powerful clients. And heâs smart enough, and smooth enoughââ Bernhardt swallowed filet of sole, gestured with his fork. âHeâs smart enough to cater to them, these power structure types. It doesnât take any longer to send out a bill for ten thousand than it does for a thousand, you know. Itâs the same postage.â
âDancer has the morals of a puff adder,â Friedman pronounced.
âNo argument.â
âWhy dâyou stay with him? What are you, his conscience? Is that it? Is that why he keeps you around?â
âI stay with him,â Bernhardt answered patiently, âbecause I want to direct playsâand write plays, too. Which means I have to have outside income. Dancer pays me twice what anyone else in townâll pay.â
âNo one else in town does what he doesâdivorces, custody work. And child stealing, for Godâs sake.â
âThatâs not fair. A lot of agencies do divorce work, and you know it. And, anyhow, I donât do those things. Weâve already been through this, Pete. I donât do
Reshonda Tate Billingsley