and alyssum outside the door. Next door, though, a wooden statue, clearly African in origin and depicting a mother and her suckling child stood vigil over the entrance, betraying that this was the home of the Canon Missioner, as did the hectically-coloured printed blinds at the windows. Rowena Huntâs front door, in contrast, was flanked by two tastefully sculptured bay trees in elegant containers, and there were Holland blinds in all the windows.
Jeremy pointed to an old stone barn, set back a small distance from the Close and largely concealed by the town houses. âThatâs the cathedral refectory,â he explained. âA converted barn. They serve meals there during the day. Itâs a bit out of the mainstream, but it serves the purpose.â They strolled along slowly. âAnd the next buildings here are shops. They were built as almshouses in the seventeenth century, and converted not too long ago.â Six tall chimneys towered above the single-storey building, which now sported display windows and three smart doors. âOne is a book shop â quite a good one, actually â and one is a dress shop, as you can see. The one in the centre is the Cathedral Gift Shop.â They paused for a moment and peered in the window at the array of Malbury Cathedral mugs, tea towels, and postcards.
The next building was of an entirely different sort: an eighteenth-century Gothick folly of pink stucco, massive and double-fronted. âThis was the old Deanery,â said the architect. âIt now houses the diocesan offices â the diocesan solicitor, the registrar, and so on.â
An equally large building, constructed of stone in the seventeenth century, stood to its left at the end of the Close. âThis used to be a school,â explained Jeremy. âItâs now been converted into offices, which the cathedral leases out. It all helps to pay the bills,â he added.
The Close ended at that point, opposite the west front of the cathedral. They began to cross the wide green space in front of the cathedral, an empty space that had once held the original extended west end of Malbury Abbey.
âThe Bishopâs House is on the other side,â said Jeremy, ânext to my house. Would you like to come round that way, and perhaps come in for a nightcap?â
Lucy nodded her assent. âBut I mustnât be too long. My father will be waiting up for me â I donât have a key.â
âThe west front is pretty undistinguished,â Jeremy said dismissively as they passed in front of it. âVictorian. They added on those side porches, to give it the extra width, so in fact the west front looks deceptively wide.â The Bishopâs house, in front of them, was fairly impressive, a large neo-classical structure of grey stucco graced with huge Ionic columns. âIt was built for a rich banker in the nineteenth century. Conveniently close to the cathedral for the Bishop. Heâs actually got his own entrance, through the east range of the cloister. All thatâs left of the monastic cloister, but itâs fairly intact.â
âIâve been to the Bishopâs house before,â remarked Lucy. âHe and my father are old friends.â
Jeremy led Lucy around the side of the Bishopâs house, towards the corner where it met the cloister. âIâve actually got a little idea about the cloister,â he confided. âI think that it would make a marvellous tearoom if it were glassed in and tarted up a bit. Much more accessible than the refectory, and it would be quite a nice project for me. Keep me out of mischief, you know.â He raised his eyebrows at her.
âThat sounds like a good idea,â she responded ambiguously. âBut what do other people say? Wouldnât they think it was spoiling the cathedral?â
âOh, I havenât mentioned it to anyone yet,â Jeremy grinned. âJust to you. But youâre
Lisa Mondello, L. A. Mondello