nightmare.
âThe Marquis puts too much powder on his face. He thinks life is one long cabaret.â
âThe poker player told me Anita is a madam.â
âSheâs the most experienced one,â Tréllez said. âShe was very beautiful until just a few years ago. She knows everyone in La Paz.â
A waiter cleared a table for four next to the kitchen where some railway employees had been sitting. He invited the Marquis to sit down.
âHow have you been, Pepe?â the Marquis said in greeting.
âWorried,â Tréllez replied.
âWhy?â
âMy Indian farmhands are getting riled up over all this Marxist bullshit.â
âSell your land before the holocaust.â
The Marquis was waiting for the man and the woman Ricardo had seen on the El Alto station platform. As the couple entered the car, they recognized Pepe Tréllez and waved. The man was wearing a light green tweed jacket, khaki pants, and boots.
âThatâs Ian Durbin, an Irishman who works for the Bolivian Railway. The quiet, sad-looking woman is his wife. Sheâs from PotosÃ.â
âDurbin is huge,â Ricardo said.
âHe weighs around 220 pounds. In his younger days in Dublin, I think he was a boxer. The guy is a serious drinker. He can finish off a bottle of whiskey in half an hour by himself.â
The waiter placed two bowls of chairo soup on the table and asked: âAnything to drink?â
âA beer,â Tréllez said. âDo they let you drink beer?â
âIâm eighteen,â Ricardo said.
âHow time flies. I remember when you used to ride that tricycle around your house on Federico Zuazo.â
Tréllez poured hot sauce into his soup. âHere comes Alderete. Poor girl. To have to put up with a pig like him.â
Alderete couldnât hide the angry grimace etched on his dark face.
âThe one behind the girl is her mother,â Tréllez explained. âDoña Clara is from La Pazâs crème de la crème. She arranged the marriage.â
âReally?â
âAlderete cheated her late husband out of his mine. He was the guyâs accountant.â
Doña Clara was the image of simplicity. Half her body was wrapped in a gray shawl. Gulietta was wearing a bluish skirt and a fine sweater of braided wool. She turned her gaze on Ricardo and caught him staring at her, spellbound.
âSheâs really beautiful,â Ricardo said.
âAnd they say sheâs smart. What do you think of the trio, nephew?â
âA permanent short circuit.â
âIâve always admired brave women, like Isabella of Castile and the Coronilla heroines * ,â Tréllez said. âBut anyone who can put up with that guy deserves to be canonized.â
âYou donât seem to think much of him.â
âHeâs a son of a bitch,â Tréllez said in English.
The languid whistle of the locomotive sounded, announcing its arrival at a tiny village near an ancient-looking farmhouse. Aldereteâs hoarse and heavy voice was the only other dissonant noise, aside from the carsâ incessant swaying from side to side. The train stopped in front of a small stone house covered by a red corrugated-metal roof.
A thin, bony man rang a bell heralding the trainâs arrival. Behind the building, at the end of a windy path, there was a farmyard in which a group of skinny cows rested alongside a small bull swatting flies with its tail. A solitary dog barked half-heartedly.
Ricardo was surprised by the sight of the contortionist walking deliberately alongside the train, toward the car in which her dog had been confined. The railway inspector followed behind her, talking to the wind. The station manager joined them, apparently unaware of what was happening. The contortionist touched the side of the car with one hand and cried out in pain.
âItâs an oven in there. My dog must be suffocating from the