asked.
ââHis theory is he can get by with German and Anglo-Saxon,â Julia explained.
ââThank God those in charge have worked out a master-plan. Theo will quote
Beowulf
at the Germans until they surrender. This is an amateurâs war,â said Pym.
ââBrilliant improvisation, thatâs the term,â Briggs said.
âThere was the beginning of a gloomy silence. Briggs then asked Sally, âAfter you and Theo parted â¦?â
âBut Pym interrupted, âI think Iâve been invited to a party in Tite Street. Do you want to come along with me, Sally? Iâm after a golden Norwegian, but I think heâll like you better. Will you be my decoy?â He added, with transparent cunning, âHe may know something about Theo.â
ââCount me in,â said Sally promptly.
âThe last we saw was the pair of them going off up the dark and silent street, arm in arm, singing, âItâs a long way to Tipperary, itâs a long way to goââ
âWe heard before we saw a convoy of trucks coming towards the crossing at the top of Pontifex Street. It came slowly across the road as Pym and Sally approached the corner. There were whistles and shouts from the soldiersin the lorries and a responding chorus, âBut my heartâs right there.â
ââWell, Sallyâs out for a good time,â said Julia, a bit sadly. Then she mentioned she was getting cold, so we went inside and to bed.â
âIâm a little tired myself now,â Bruno Lowenthal said to Greg Phillips, in the sunny room at Cornwall Street. âDo you mind if we finish for today?â
âNo, no, of course not, sir,â Greg said, startled, coming back suddenly to the present, into the antique-filled room. He looked at the old man opposite. âThank you. Itâs been most interesting. Iâm impressed by your memory.â
Bruno said, slowly, âI seldom think of those days. The last time I really remembered it all was when the participants were exposed, disgraced, fled to Moscow. Now it all comes flooding back. But it is very tiring.â
There was a silence. Greg was not sure how to respond and was fearful that, if he got it wrong, Bruno would escape him. He said, tentatively, âShould we perhaps leave intervals between sessions, sir?â
âCall me Bruno. No, no. Come tomorrow, to the shop, at one oâclock.â He got up and took a card from a bowl on the mantelpiece. âHere is the address.â
The audience was over. Greg, who had been listening in silence for two hours, his head reeling, took his leave. He could not believe, as he found his way back to his cheap hotel, that this was happening to him.
Chapter 11
âKatherine?â
âYes,â said the womanâs voice, at the other end of the line, uncertainly. âYes? Who are â my God! Oh, my God,â she said, half amused, half horrified. âItâs you, isnât it, Greg?â
âYes, itâs me, Katherine. How are you?â
âIâm fine,â she said. âAre you here?â
âYes. Katherine, can we meet? I realise you may not want to see me. You got my letter?â
âYes. Of course I want to see you. Greg, itâs been six, nearly seven years. I often think of you.â
âI often think of you. Youâre still Miss Ledbetter, I assume.â
âDr Ledbetter,â she told him.
âIâm imagining you in a study overlooking Newnhamâs immemorial elms, fire burning, surrounded by booksââ
âGrey hair piled on top of my head, held up by hairpins, fashionably dressed in a baggy tweed skirt and lisle stockings. No, Iâm in my jeans looking out over the immemorial bus-stop in Histon Road. How are you getting on?â
âThatâs the point. Did you ever hear of Bruno Lowenthal?â
âBruno Lowenthal? I think so. But itâs just a name. I know