earth so hard his body crashes through the topsoil, imbeds itself ten feet deep, leaves a giant-shaped chasm in the middle of a cornfield.
Itâs a mercy, of sorts. What, after all, did the giant have left, with his gold and his hen and his harp all gone?
*Â Â Â *Â Â Â *
Jack has had the giant-hole filled in, right over the giantâs body, and in a rare act of piety heâs ordered a grove of lilac bushes planted over the giantâs resting-place. If you were to look down at the lilac grove from above, youâd see that itâs shaped like an enormous man, arms and legs akimbo; a man frozen in an attitude of oddly voluptuous surrender.
Jack and his mother prosper. Jack, in his rare moments of self-questioning, remembers what the mist-girl told him, years earlier. The giant committed a crime. Jack has, since infancy, been entitled to everything the giant owned. This salves the stripling conscience thatâs been growing feebly within Jack as heâs gotten older.
Jackâs mother has started collecting handbags (she especially prizes her limited-edition Murakami Cherry Blossom by Louis Vuitton), and meeting her girlfriends for lunches that can go on until four or five p.m. Jack sometimes acquires girls and boys in neighboring towns, sometimes rents them, but always arranges for them to arrive late at night, in secret. Jack is not, as we know, the brightest bulb on the Christmas tree, but heâs canny enough to understand that only his mother will uncritically adore him forever; that if one of the girls or boys were suffered to stay, the fits of mysterious frustration, the critiques, would set in soon enough.
The hen, who cares only for the eggs she produces, lays a gold one every day, and lives contentedly in her concrete coop with her twenty-four-hour guard, Jackâs attempt at exterminating all the local foxes having proven futile.
Only the harp is restive and sorrowful. Only the harp looks yearningly out through the window of the room in which it resides, a room that affords it a view of the lilac grove planted over the giantâs imbedded body. The harp, long mute, dreams of the time when it lived on a cloud and played music too beautiful for anyone but the giant to hear.
Â
POISONED
You wanted to last night.
And tonight, I donât think I want to.
Why, exactly, is that?
Itâs weird. Donât you think itâs at least a little bit weird? And Iâm, well, getting tired of it.
When exactly did you change your mind?
I didnât. Okay, Iâm tired of pretending that Iâm not tired of doing it.
Is it because of that apple joke, today at the market? Did that bother you?
Hell no. You think Iâm not used to apple jokes by now?
Youâve always told me you liked it. So, youâve been lying?
No. Well, not exactly lying. I suppose Iâve liked it because you like it so much. But it seems that tonight, I donât really want to.
Thatâs a little ever so slightly humiliating, donât you think? For me, I mean.
No. Iâve been doing it because I love you. When you love somebody, it makes you happy to make him happy.
Even if you think itâs weird. Even if you think itâs disgusting.
I didnât say disgusting. âWeirdâ and âdisgustingâ are not synonyms.
You didnât get tired of doing it for the midgets.
They werenât midgets. They were dwarfs. I donât know why you refuse to understand the difference.
Sorry. Iâm sorry. Iâm displacing my emotions.
You got that phrase from your shrink, do you even know what it means?
Iâm sorry about the dwarfs . I know you loved them.
Or I loved it that they loved me, Iâve never been completely sure.
Do you think we should have them over again?
Because it was so much fun the last time?
I wouldnât say it was un fun. Did you think it was?
You had to lift them up to get them into our chairs. Our spoons were the size of