A Song for Arbonne

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Book: A Song for Arbonne Read Online Free PDF
Author: Guy Gavriel Kay
consecrated men come in secret in the night to the goddess’s holy island with a purpose of their own.
    Said purpose being in fact extremely specific: to persuade one Evrard, a troubadour, to return to Castle Baude from his self-imposed exile on Rian’s Island in the depths of righteous indignation.
    It was all genuinely ridiculous, Blaise thought again, pulling at the oar, feeling the salt spray in his hair and beard. He was glad that Rudel wasn’t here. He could guess what his Portezzan friend would have had to say about this whole escapade. In his mind he could almost hear Rudel’s laughter and his acerbic, devastating assessment of the current circumstances.
    The story itself was straightforward enough—an entirely natural consequence, Blaise had been quick to declare in the hall at Baude, of the stupidity of the courtly rituals here in the south. He was already not much liked for saying such things, he knew. That didn’t bother him; he hadn’t been much liked in Gorhaut, either, the last while before he’d left home.
    Still, what was an honest man to make of what had happened in Castle Baude last month? Evrard of Lussan, who was said to be a modestly competent troubadour—Blaise was certainly not in a position to judge one man’s scribblings against another’s—had elected to take upresidence at Baude in the high country of the southwestern hills for a season. This had redounded, in the way of things down here, to the greater renown of En Mallin de Baude: lesser barons in remote castles seldom had troubadours, modestly competent or otherwise, living with them for any length of time. That much, at least, made sense to Blaise.
    But, of course, once settled in the castle, Evrard naturally had to fall in love with Soresina and begin writing his dawnsongs and liensennes, and his cryptic trobars for her. That, also in the way of such things here, was precisely why he had come, with the less romantic incentive, Blaise had caustically observed, of a handsome monthly payment out of Mallin’s wool revenues from last autumn’s fair in Lussan. The troubadour used a made-up name for his Lady—another rule of the tradition—but everyone in the vicinity of the castle, and surprisingly soon everyone in Arbonne who mattered at all, seemed to know that Evrard of Lussan, the troubadour, was heart-smitten by the beauty and grace of young Soresina de Baude in her castle tucked in a fold of the high country leading to the mountain passes and Arimonda.
    Mallin was enormously pleased; that too was part of the game. A lovestruck troubadour exalting the baron’s wife enhanced Mallin’s own ardently pursued images of power and largesse.
    Soresina, of course, was thrilled beyond words. She was vain, pretty and easily silly enough, in Blaise’s jaundiced opinion, to have precipitated exactly the sort of crisis with which they now found themselves dealing. If it hadn’t been the one incident, it would have been another, he was sure of it. There were women like Soresina at home, too, but they were rather better kept in hand in Gorhaut. For one thing, their husbands didn’t invite strangers into their castles for the express purpose of wooing them. However Maffour might try toexplain the strict rules of this courtly game of love, Blaise knew an attempt at seduction when he saw one.
    Soresina, manifestly uninterested in the newly resident poet in any genuinely romantic way—which no doubt reassured her husband more than somewhat—nonetheless contrived to lead Evrard on in every manner possible, given the constraints imposed by the extremely crowded spaces of a small baronial castle.
    Mallin’s yellow-haired wife had a ripe body, an infectious laugh and a lineage substantially more distinguished than her husband’s: something that always added fuel to the fires of troubadour passion Blaise had been told by the discursive Maffour. He’d had to laugh; it was all so artificial, the whole process. He could guess, too easily, what
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