A Man Without a Country
have seven kids, three of them orphaned nephews.
    I put my big question about life to my son the pediatrician. Dr. Vonnegut said this to his doddering old dad: “Father, we are here to help each other get through this thing, whatever it is.”
     
     
     
    No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious and charitable institutions may become, the music will still be wonderful.
    If I should ever die, God forbid, let this be my epitaph:
     
    THE ONLY PROOF HE NEEDED FOR THE EXISTENCE OF GOD WAS MUSIC
     
    Now, during our catastrophically idiotic war in Vietnam, the music kept getting better and better and better. We lost that war, by the way. Order couldn’t be restored in Indochina until the people kicked us out.
    That war only made billionaires out of millionaires. Today’s war is making trillionaires out of billionaires. Now I call that progress.
    And how come the people in countries we invade can’t fight like ladies and gentlemen, in uniform and with tanks and helicopter gunships?
    Back to music. It makes practically everybody fonder of life than he or she would be without it. Even military bands, although I am a pacifist, always cheer me up. And I really like Strauss and Mozart and all that, but the priceless gift that African Americans gave the whole world when they were still in slavery was a gift so great that it is now almost the only reason many foreigners still like us at least a little bit. That specific remedy for the worldwide epidemic of depression is a gift called the blues. All pop music today—jazz, swing, be-bop, Elvis Presley, the Beatles, the Stones, rock-and-roll, hip-hop, and on and on—is derived from the blues.
    A gift to the world? One of the best rhythm-and-blues combos I ever heard was three guys and a girl from Finland playing in a club in Krakow, Poland.
    The wonderful writer Albert Murray, who is a jazz historian and a friend of mine among other things, told me that during the era of slavery in this country—an atrocity from which we can never fully recover—the suicide rate per capita among slave owners was much higher than the suicide rate among slaves.
    Murray says he thinks this was because slaves had a way of dealing with depression, which their white owners did not: They could shoo away Old Man Suicide by playing and singing the Blues. He says something else which also sounds right to me. He says the blues can’t drive depression clear out of a house, but can drive it into the corners of any room where it’s being played. So please remember that.
    Foreigners love us for our jazz. And they don’t hate us for our purported liberty and justice for all. They hate us now for our arrogance.
     
     
     
    When I went to grade school in Indianapolis, the James Whitcomb Riley School #43, we used to draw pictures of houses of tomorrow, boats of tomorrow, airplanes of tomorrow, and there were all these dreams for the future. Of course at that time everything had come to a stop. The factories had stopped, the Great Depression was on, and the magic word was Prosperity. Sometime Prosperity will come. We were preparing for it. We were dreaming of the sorts of houses human beings should inhabit—ideal dwellings, ideal forms of transportation.
    What is radically new today is that my daughter, Lily, who has just turned twenty-one, finds herself, as do your children, as does George W. Bush, himself a kid, and Saddam Hussein and on and on, heir to a shockingly recent history of human slavery, to an AIDS epidemic, and to nuclear submarines slumbering on the floors of fjords in Iceland and elsewhere, crews prepared at a moment’s notice to turn industrial quantities of men, women, and children into radioactive soot and bone meal by means of rockets and H-bomb warheads. Our children have inherited technologies whose byproducts, whether in war or peace, are rapidly destroying the whole planet as a breathable, drinkable system for supporting
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