again. Unmanageable like the rest of him? I wonder.
âArenât you going to ask about me?â Colin takes my head between his hands and forces me to look straight at him.
âI guess you want me to talk to you, Colin. Do you go to school?â
He shakes his head. âI stay at Mrs. Jomoriâs. She has two baby girls. Itâs boring.â
âWhereâs your dad?â
âHeâs a miner. Heâs away.â Maureen grabs my arm and pulls me to the couch. âLetâs jump some more.â
If I want this job â and I know now I do for sure â I figure Iâd best calm the kids down and clean up the mess.
âLetâs build a fort.â I pick up the two pillows and blankets strewn on the floor.
âYay.â Three voices chorus.
âHow?â asks Patricia.
âFirst we tidy up, make space in the middle of the room. And then we build.â
Over the next while the three children gather up the games and stack them in the corner with the books next to the TV. Meanwhile I straighten out the chesterfield and cushions, turn four chairs upside down in the middle of the room, and drape the blankets from the couch over the chair legs. We each choose a pillow as our sitting spot inside our new fort. I grab a battered blue copy of The Littlebits from the pile of books.
âLetâs read a story.â Colin curls up on my lap, thumb in mouth. Maureen and Patricia snuggle in on either side. From the way the girls sigh I know they like the book as much as I did at their age.
The door opens and closes. But I read on to the end of the chapter. Then I hush the girls with a finger and squeeze out from under Colinâs droopy body to go find Mrs. Quinn.
In the kitchen, the table is set for four and a smell of something sweet comes from the oven. Mrs. Quinn looks up from her book with a smile. âYou certainly have a way with them. The last girl I tried was older than you but they ran rings around her.â
âColinâs asleep on the floor, Mrs. Quinn. In the fort.â
âThanks, dear. Youâve been great. But before we decide for sure, Iâd like to talk to your mother.â
I feel my face flush. âI donât have a mother.â Mrs. Quinn pauses, opens her mouth to say something but appears to change her mind.
âThen I can talk to your dad?â
âYou can. But you donât need to. Heâll say itâs okay.â He doesnât really notice me , I add to myself.
âIâll phone him anyway. You be here on Saturday then, letâs see, a little early, so I can show you the routine. About a quarter after twelve. Is that okay?â I know I want the money and I know Iâm going to like it here. âIf it goes well this Saturday then you have the job for good. Iâll check with my children, of course.â She presses a fifty-cent piece into my hand. âThatâs for today. Thanks, dear. Can you see yourself out? I donât want Colin to sleep too long or he wonât want to go to bed tonight.â
âSay bye to them for me, then.â I slip on my boots and raincoat and partially open the still-dripping umbrella. âSee you Saturday. Oh, and thanks.â
I hurry home up Moody Avenue. My headâs in a busy cloud of counting all the money Iâll have when I hear a manâs roar.
âGet yourself back in here, now.â Another roar. âIf you donât, Iâll give you something to complain about.â This time some of the words are slurred. I look around. Thereâs no one on the street but me. Iâm scared. But then I see movement. A girl, curled up next to a forsythia bush. It looks like Dolores. It canât be, but it is.
5
On Monday, school is as boring as ever. Even Music, which I loved â and I really mean loved â in Penticton, is boring. Here, Mrs. Bramley strums on her autoharp and weâre supposed to sing. Hardly anyone does, and if