rememberedâbecause, after all, if you didnât care much about money while you were alive you couldnât get hot under the collar about what happened to it after you were dead. It was the conversation about Hughie that stayed in her mind, and how she felt she had acted as his interpreter to the world, or had somehow stood guard between him and it, that she remembered. She stood at the window thinking about this, looking over the darkened expanse of Holland Park. Then, when she had sentences firmly in her mind, she went into her study and switched on the tape recorder.
Â
Betty walked home that afternoon with Hughie and her best friend, Alice, and when Alice went into her slightly run-down home on the outskirts of Bundaroo she walked on with Hughie alone. They talked about the day, the English class, the teachers, the other kids at the school. Somehow or other they got on to music, and Hughie told her that they had records of Beethovenâs Seventh at home, conducted by Toscanini. Betty very much wanted to hear them, wanted to play them over and over so that the music was imprinted on her soul (she thought like that in those days). Hughie said heâd ask her over when the family was properly settled in. But when his way parted from hers and he waited for the bus beside the dry, rutted track that led to Wilgandra she shouted after him, âI shouldnât mention the Beethoven records at school.â
The burden of her morning walk weighed down on her again as she walked the last half mile to home, and she decided to slip quietly to her tiny bedroom (though in that house all noises could be heard everywhere, even silences). However, as she went through the front door she heard the familiar voices, talking normally.
âWeâve been married a while now, Dot. Weâve seen a lot of dry gullies. And weâve always come through.â
âIâve always supported you, Jack. Youâve got to admit that.â
âYou have, Dot. Iâd be the first to say it.â
âAnd Iâve done it because I trust you.â
âI just feel that if hard times comeââ
â Harder times.â
âOK. Things havenât been easyâtoo right they havenât! But if things get tougher, you need mates about you. In the city no one has mates. They have acquaintances, neighbors, even family, but they donât have mates. Weâd be alone. We could become dolers, sundowners. It doesnât bear thinking about.â
âI suppose youâre right, butââ
The reluctance in her motherâs tone was palpable. Betty thought it was time to burst in on them all sunny and smiling, to show her gratitude for the end of the row.
âHello, Mum. Hello, Dad!â
âWell, look at the time!â said her mother. âI havenât even thought of tea. Have a good day at school, dear?â
âNot badâ¦There was a new boy there.â
âWho was that?â It was her father who spoke. He was always half-jealous when she spoke of boys.
âHis name is Naismyth. His fatherâs the new manager at Wilgandra.â
âOh yes?â
Her fatherâs tone spoke volumes. Betty knew as well as if he had spelled it out in flowing sentences that Hughieâs father had not made a good start as Bill Cheveleyâs manager, and probably that the family as a whole was not liked out at Wilgandra. His sense of fairness would not allow him to say any more, but he couldnât keep the truth out of his tone.
Soon all of Bundaroo would know it. And Hughie would have one more black mark against him, to add to his accent, his Englishness, his devotion to âculture,â and his total foreignness to outback customs and ways of looking at the world.
Chapter 3
Ghosts
âHello, Auntie Bet? You OK?â
The voice was male, young, and broad Australian.
âHello, Mark.â
She tried to inject some enthusiasm into her voice, though he