mouth. âMab put the key in, and when I went to get the chalice, the statue was gone. College kids steal that damn statue all the time, so Iâm guessing his chalice was broken and this time Fufluns got out and ran with it.â
FIND HIM AND BRING HIM TO ME .
âHow?â Ray said.
HEâLL POSSESS SOMEONE. THEN DRINK AND CHASE WOMEN .
âThatâs every guy in the park.â
Kharos seethed for a moment. If he could have, heâd have smashed Rayâs head like a clay pot. But he couldnât. Ray had power and skills. And he was on the outside of the prison in which Kharos was trapped, so he couldnât be reached anyway.
Although . . .
Fuflunsâ and Turaâs escapes had strengthened Kharos. Straining against the confines of his chalice, he reached out with his mind and tweaked the back of Rayâs head.
A clump of hair fell out.
Ray scratched the back of his head and then went on talking, oblivious. âItâs not like I have time to go hunting down escaped demons. Iâm the
mayor
, you know. I have things to do that donât involve you.â
INSECT
, Kharos thought. In two weeks, he was going to smash Rayâs head like a clay pot.
âFor example,â Ray went on, âwe have this Halloween merchant thing going on thatâs very popularââ
GO WHERE PEOPLE ARE LAUGHING. FIND THE HUMAN WHO IS THE CENTER OF ATTENTION. TOUCH HIM WITH IRON. IF HE FLINCHES, SAY, âKHAROS COMMANDS YOU TO GO TO HIM .â
âYou know,â Ray said, âmaybe weâre rushing this. We donât have to do this right now. Another year wouldnâtââ
NO , Kharos said. YOU HAVE DELAYED TOO MUCH ALREADY. FORTY YEARS .
âHey, the first twenty were mine, that was the deal.â Ray chomped his cigar gloomily. âI should have held out for fifty. When youâre fifteen, thirty-five sounds ancient.â
YOUâVE TAKEN FORTY .
âYeah, but the last twenty have been working for you, making money for your big plan.â
IT TOOK YOU TOO LONG .
âEven with your mojo, the markets are treacherous. I did the best I could.â Ray looked mutinous. âAnd then I had to come back to this podunk town.â
FORGET THAT. YOU HAVE MY WORK TO DO NOW .
âWhat Iâm saying is that if you give me another year or two, maybe five, Iâll own the whole town and the park, and then we wonât have to go sneaking around like this. A little more timeââ
YOU ARE TRYING MY PATIENCE .
âWait. I have some good news.â He put his cigar on the edge of the bench, reached under his long coat, and pulled out a wooden chalice. âI got Tura. One of two ainât bad.â
THAT IS AN EMPTY VESSEL .
Ray looked at the wood in his hands. âBut the lid is on. I swear, I havenât opened it.â
FUFLUNS FREED HER .
âI didnât turn the key to open the statue. I told Mab to replace the flute key so I could get Fuflunsâ chalice out of his statue while she was up on the roof. She never suspected a thing.â He looked away, frowning as he thought. âShe must have found the dove key and put it on the Tunnel of Love on her own, thinking she was just putting back a missing bird.â He shook his head. âThat was not my faultââ
PUT TURAâS CHALICE BACK. FIND FUFLUNS. HE WILL DEAL WITH TURA .
âAll right, although I still think waiting another five or ten years would be smarter.â Ray stood up. âOh, one other thing: Glendaâs son came home. Ethan. He just got out of the Green Berets.â
THAT IS NOTHING TO ME. FIND FUFLUNS .
âAll right. Iâll put off my own work to help you. But I canât keep dropping everything every time thereâs a glitch in your plan. Itâs taken me along time to live down the Brannigan name. People are sucking up now, but theyâre just waiting for me to screw up, and then theyâll be on me
Debbie Gould, L.J. Garland