Why I Write

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Author: George Orwell
English characteristics that I pointed out, seemingly at random, at the beginning of the last chapter. One is the lack of artistic ability. This is perhaps another way of saying that the English are outside the European culture. For there is one art in which they have shown plenty of talent, namely literature. But this is also the only art that cannot cross frontiers. Literature, especially poetry, and lyric poetry most of all, is a kind of family joke, with little or no value outside its own language-group. Except for Shakespeare, the best English poets are barely known in Europe, even as names. The only poets who are widely read are Byron, who is admired for the wrong reasons, and Oscar Wilde, who is pitied as a victim of English hypocrisy. And linked up with this, though not very obviously, is the lack of philosophical faculty, the absence in nearly all Englishmen of any need for an ordered system of thought or even for the use of logic.
    Up to a point, the sense of national unity is a substitute for a ‘world-view’. Just because patriotism is all but universal and not even the rich are uninfluenced by it, there can be moments when the whole nation suddenlyswings together and does the same thing, like a herd of cattle facing a wolf. There was such a moment, unmistakably, at the time of the disaster in France. After eight months of vaguely wondering what the war was about, the people suddenly knew what they had got to do: first, to get the army away from Dunkirk, and secondly to prevent invasion. It was like the awakening of a giant. Quick! Danger! The Philistines be upon thee, Samson! And then the swift unanimous action – and then, alas, the prompt relapse into sleep. In a divided nation that would have been exactly the moment for a big peace movement to arise. But does this mean that the instinct of the English will always tell them to do the right thing? Not at all, merely that it will tell them to do the same thing. In the 1931 General Election, for instance, we all did the wrong thing in perfect unison. We were as single-minded as the Gadarene swine. But I honestly doubt whether we can say that we were shoved down the slope against our will.
    It follows that British democracy is less of a fraud than it sometimes appears. A foreign observer sees only the huge inequality of wealth, the unfair electoral system, the governing-class control over the press, the radio and education, and concludes that democracy is simply a polite name for dictatorship. But this ignores the considerable agreement that does unfortunately exist between the leaders and the led. However much one may hate to admit it, it is almost certain that between 1931 and 1940 the National Government represented the will of the mass of the people. It tolerated slums, unemployment and a cowardly foreign policy. Yes, butso did public opinion. It was a stagnant period, and its natural leaders were mediocrities.
    In spite of the campaigns of a few thousand left-wingers, it is fairly certain that the bulk of the English people were behind Chamberlain’s foreign policy. More, it is fairly certain that the same struggle was going on in Chamberlain’s mind as in the minds of ordinary people. His opponents professed to see in him a dark and wily schemer, plotting to sell England to Hitler, but it is far likelier that he was merely a stupid old man doing his best according to his very dim lights. It is difficult otherwise to explain the contradictions of his policy, his failure to grasp any of the courses that were open to him. Like the mass of the people, he did not want to pay the price either of peace or of war. And public opinion was behind him all the while, in policies that were completely incompatible with one another. It was behind him when he went to Munich, when he tried to come to an understanding with Russia, when he gave the guarantee to Poland, when he honoured it, and when he prosecuted the war half-heartedly. Only when the results of his policy
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