was growing dark, and the gradually fading light made her seem to me ever more solitary, more isolated and more condemned to wait in vain. Her date would not arrive. She was standing in the middle of the pavement, she did not lean against the wall as those who wait usually do, so as not to get in the way of those passers-by who are not waiting, which is why she had trouble avoiding them, one man said something to her and sheresponded angrily and threatened him with her voluminous bag.
Suddenly she looked up, at the third floor where I was standing on the balcony, and she seemed to fix her eyes on me for the first time. She peered at me, as if she were short-sighted or were looking through grubby contact lenses, she screwed up her eyes a little to see better, it was, it seemed, me she was looking at. But I knew no one in Seville, more than that, it was the first time I had ever been to Seville, on my honeymoon, with my brand-new wife lying ill on the bed behind me, I just hoped it was nothing serious. I heard a murmur coming from the bed, but I didn’t turn round because it was a moan made in her sleep, one quickly learns to distinguish the sounds the person one sleeps with makes in their sleep. The woman had taken a few more steps, this time in my direction, she was crossing the street, dodging the cars, not bothering to look for traffic lights, as if she wanted to get closer quickly in order to find out, to get a better view of me on my balcony. She walked slowly, however, and with difficulty, as if she were unaccustomed to wearing high heels or as if her striking legs weren’t used to them, or as if her handbag threw her off balance or as if she were dizzy. She walked rather in the way that my wife had walked after being taken ill, when she came into the room, I had helped her to undress and put her to bed, I had covered her up. The woman had just crossed the street, now she was closer but still some way off, separated from the hotel by the ample esplanade that set it back from the traffic. She continued looking up at me or at where I was, at the building in which I was staying. And then she made a gesture with her arm, a gesture that neither greeted nor beckoned, I mean it wasn’t the way one would beckon to a stranger, it was a gesture of appropriation and recognition, as if I were the person she had been waiting for and as if her date was with me. It was as if with that gesture of her arm, finished off by a swift flourish of the fingers, she wantedto grab hold of me and say: “Come here,” or “You’re mine”. At the same time she shouted something that I couldn’t hear and from the movement of her lips I understood only the first word and that word was “Hey!” uttered with great indignation as was the rest of the phrase that failed to reach my ears. She continued to advance, she smoothed the rear of her skirt more earnestly now because it seemed that the person who would judge her appearance was there before her, the person she was waiting for could now appreciate the way her skirt fell. And then I did hear what she was saying: “Hey, what are you doing up there?” The shout was very audible now, and I could see the woman better. Perhaps she was older than thirty, she still had her eyes screwed up, but they seemed light in colour to me, grey or hazel, and she had full lips, a rather broad nose, her nostrils flaring vehemently, out of anger, she must have spent a long time waiting, far longer than the time that had elapsed since I had picked her out. She stumbled as she walked, she tripped and fell to the ground, instantly dirtying her white skirt and losing one of her shoes. She struggled to her feet, as if she feared getting her foot dirty too, now that her date had arrived, now that she needed to have clean feet just in case the man she had arranged to meet should see them. She managed to get her shoe back on without putting her foot on the ground, she brushed down her skirt and shouted: “What are you