again. âI could not leave Germany,â he said. âExcept for a little while, in Austria.â
âWell, we thought of Austria as Germany, didnât we?â Altman asked. âThe Pan-Germanic peoples. At least that was what the slogans said.â
The old man nodded. âI remember the slogans.â
âAustria,â Altman whispered softly, now caught up in the history of his own life. âMy father had business there. I was thinking of being in this business, but I wasnât cut out for it.â He felt a tense chuckle break from him. âI was always more the scholarly type. I wanted to teach at the university, to write books.â He shrugged. âBut more than anything, I wanted to collect them. Especially German books.â
âThe call of the Fatherland,â the old man whispered.
He was staring into the empty bowl of his soup, his gaze curiously intense, as if he were reading a lost future there.
âThe call of the Fatherland,â Altman repeated. âThatâs quite well put.â He smiled. âPerhaps you should have been a writer.â
The old manâs fingers crawled over to the package, then spread over it like the legs of a spider. âI have only this.â
âAnd you say that you have had it for a long time?â Altman asked.
âI wrote it after the war,â the old man said. âIt reminds me of what I was.â
Altman suddenly felt a spike of dread move through him, sharp and tingling, like an electric charge. Once again, he thought of the old manâs mention of crime, and once again he wondered if the book was a confession of some unspeakable act.
âIt is about the way things were in our country,â the old man said. A dark sparkle came into his eyes. âYou remember how they were, Iâm sure.â
Altman did indeed remember how things had been in Germany after the war, the rise of extreme parties, the street fighting, a country coming apart at the seams.
âGermany was headed for an abyss,â Altman said. âCommunists and fascists attacking each other. The twin plagues. At the time, the direction seemed clear, and it was a very scary one.â
âIs that why you left?â the old man asked. âBecause you were afraid of what might happen?â
âYes,â Altman admitted.
âI left because of Elsa,â the old man said.
âElsa?â
âShe was so sweet,â the old man added. âSo kind to me. She worked in the hotel.â He looked at Altman knowingly. âYou know what that means?â
âI do, yes,â Altman answered.
âShe was murdered.â
âMurdered?â Altman asked.
âThey said it was a rich man,â the old man said. âA rich man who lived in Vienna.â
âI see.â
âIt made me very angry that so sweet a girl should be murdered.â
âNo doubt,â Altman said cautiously, now once again unaccountably tense in the old manâs presence, like a man who suddenly sees a snake in the tall grass.
âA Jew,â the old man added. âThe rich man from Vienna.â
Altman felt a wave of relief. Heâd wondered if the old man had somehow thought his father the murderer. But luckily, he thought Elsaâs murderer a Jew, which certainly removed his father from the list of suspects.
The old man nodded toward the package. âItâs all in there. How I felt in those days.â
âSo your book is a memoir?â Altman asked, now hoping to get away from the disturbing subject of a poor, heart-of-gold prostitute murdered by a sinister and stereotypically wealthy Jew.
âIt is, yes,â the old man answered. âNo one wanted to publish it. They said I had a silly name. Which is true. It held me back in those days after the war. You canât rise in the world if you have a silly name.â
Altman felt the normal urge to ask what this name was, but he could see that it