nervous.”
Searchlights darted into the clouds and died instantly and no one could say whether they were close by or miles away. And no one could tell whether the black spot that had seemed to move was a horseman or just a bush.
The train started as suddenly as it had stopped. Sighs of relief greeted the screeching of wheels. No one ever learned why the train had stopped.
Early one morning, some men rushed through the car. One of them had a Red Cross badge. There was the sound of a commotion outside. One of the passengers followed the men. When he came back his face made the travelers feel uneasy.
“It’s in the next car,” he explained. “A fool peasant woman. Traveled between the cars and tied her legs to the buffer so she wouldn’t fall. Fell asleep at night, too tired, I guess, and slipped off. Legs tied, it just dragged her with the train, under the car. Head cut off. Sorry I went to see.”
Halfway through the journey, at a lonely little station that had a rotting platform and bright posters and unkempt soldiers on both platform and posters, it was found that the passenger coach in which the Argounov family traveled, could go no farther. The cars had not been repaired or inspected for years; when they suddenly and finally broke down, no repairs could help. The occupants were requested to move out speedily. They had to squeeze themselves into the other over-crowded cars—if they could.
The Argounovs fought their way into a box car. Gratefully, Galina Petrovna and Lydia made the sign of the cross.
The woman with the sagging breasts could not find room for all of her children. When the train pulled out, she was seen sitting on her bundles, the bewildered children clinging to her skirt, watching the train with a dull, hopeless stare.
Across prairies and marshes, the long line of cars crawled wearily, a veil of smoke floating and melting into white puffs behind it. Soldiers huddled in groups on the sloping, slippery roofs. Some of them had harmonicas. They played and sang about the little apple. The song trailed and melted away with the smoke.
A crowd awaited the train in Petrograd. When the last panting of the engine reverberated through the terminal vaults, Kira Argounova faced the mob that met every train. Under the folds of shapeless clothes, their bodies were driven by the tense, unnatural energy of a long struggle that had become habitual; their faces were hard and worn. Behind them were tall, grilled windows; behind these was the city.
Kira was pushed forward by impatient travelers. Alighting, she stopped for one short second of hesitation, as if feeling the significance of the step. Her foot was sunburned, and she wore a home-made wooden sandal with leather straps. For one short second the foot was held in the air. Then the wooden sandal touched the wooden boards of the platform: Kira Argounova was in Petrograd.
II
PROLETARIANS OF THE WORLD, UNITE!
Kira looked at the words on the bare plaster walls of the station. The plaster had crumbled off in dark blotches that made the walls look skin-diseased. But fresh signs had been printed upon them. Red letters announced: LONG LIVE THE DICTATORSHIP OF THE PROLETARIAT! WHO IS NOT WITH US—IS AGAINST US!
The letters had been made by a smudge of red paint over a stencil. Some lines were crooked. Some letters had dried with long, thin streaks of red winding down the walls.
A young fellow leaned against a wall under the signs. A crumpled lambskin hat was crushed over his pale hair that hung over his pale eyes. He stared aimlessly ahead and cracked sunflower seeds, spitting the shells out of the corner of his mouth.
Between the train and the walls, a whirlpool of khaki and red dragged Kira into the midst of soldiers’ coats, red kerchiefs, unshaved faces, mouths that opened soundlessly, their screams swallowed in a roar of boots shuffling down the platform, beating against the high steel ceiling. An old barrel with rusty hoops and a tin cup attached on a