again feel an immense surge of relief that, even in the brief hours that he slept, the wondrous world had continued spinning, and he with it.
‘It’s not her fault,’ he heard Katy say behind him, as he went to open the front door.
Startled from his reverie, he turned and looked at her. She was fifteen, a dark beauty and, like him, forceful and quick. He loved all his children, but only with Katy did he share an understanding. She spoke to him in a way no one else dared.
‘That Dora died. She was a baby. Maman did all she could.’
‘Of course,’ he said, as gently as he was able. ‘Of course it’s not your mother’s fault.’
‘Sir, the immortal flame of genius burns in his bosom,’ Wilkie Collins was saying to John Forster at the Garrick when Dickens, unseen by both men, arrived. They were discussing a scandal involving a well-known painter and two women.
Wilkie Collins had a very large head that teetered on a particularly small body, and the oddity of his looks was accentuated by a bulging left temple and a depressed right temple, so that viewed from one side he seemed a rather different man than when viewed from the other. Outside of an anatomist’s bottle, he was one of the queerest things Forster had ever seen. Forster did not like the way Dickens had in recent times taken rather a shine to this odd young man who was, Forster felt, usurping his own position as Dickens’ intimate.
‘The genius,’ continued Wilkie, ‘of English—’
‘Never mind,’ said Forster, ‘about his genius , Mr Collins.’ He said the word as though it were a protracted illness. ‘We don’t have genius in this country unless it is accompanied by respectability. And then, not to put too fine a point upon it, in a word, so to speak, we are very glad to have it—very glad indeed.’
‘My dear Mammoth,’ said Dickens, coming up behind the two men, placing one hand on Forster’s great shoulder before sitting down on the green Moroccan divan next to Wilkie. ‘How splendid to see both my fine friends together. Shall we share a sherry negus?’
But Forster was having neither sherry negus nor any of it, and, making some excuses, stood up and left. Dickens seemed unperturbed by his friend’s abrupt departure; it was, as he put it after, ‘part of the Mammoth’s glacial patrimony’. He went on to tell Wilkie about his meeting with Lady Jane Franklin.
‘I am rather strong on voyages and cannibalism,’ he said, finishing his story.
‘And ice?’ asked Wilkie.
‘Very strong on the ice,’ said Dickens, raising a hand to signal a waiter. ‘Blue as gin. Sometimes feel I’m shipwrecked there myself.’
Wilkie Collins’ nerves were still good; he was yet to invent the detective novel, to be celebrated by his age as one of the great novelists and thereafter forgotten, to have his health fail, to take so much opium to ward off the pain that he would come to believe he had a doppelgänger , the Ghost Wilkie. The world for Wilkie was a promiseyet to fracture into phantoms, his eyes were yet to turn into bags of blood, and the great Dickens was a friend and mentor. He holidayed with Dickens, he played with Dickens, and he even worked for Dickens on the novelist’s magazine, Household Words . Life had yet to shape him and he continued to believe he shaped his own life. He was young, quick-witted and, moreover, agreeable to whatever was Dickens’ fancy, and when that fancy was periwinkling, Wilkie knew some of the finest halls and houses to frequent. But in this case he was at a loss to know how to agree or what to agree with.
‘All those fricassees of the famous beneath mountains of ice, great men meeting noble deaths—do you think it’s exactly your sort of story?’
‘And the kettles,’ said Dickens. ‘Don’t forget the kettles.’
‘But only a week ago you said you were about to embark on a new novel and weren’t to be burdened with any writing jobs that came between you and it.’
‘Well,’ said