now kept at bay with his ceaseless external activity. It was said he had chosen to marry above himself; but no cynic is ever truly cynical, and he had loved her. But her very presence now brought on in him a wordless anguish. Now he would rather walk to Lands End and back than stay the night in bed with his wife.
He could not bear her misery, nor her listlessness. He could not forgive the way she withdrew from her sacred duties as a wife and a mother into a lethargy that seemed to worsen with each new birth—surely a cause for jubilation, not melancholy?—and how she grew fatter and duller with each passing day. Why did she resort to the grapeshot of domestic life—the caustic aside, the peremptory embrace, the sudden, terrible glance of knowing contempt—and why did he respond with pettiness, with rage, with absence? The worse it got, the less he understood and the more she retreated, and the more she gave ground the greater grew his conviction it was all her fault. Could there be two souls less suited to living together?
His thoughts reformed as the Erebus and the Terror , thrown up on their sides by the ice, their masts casting diagonal lines across the frozen deep, the wind raising a dirge in their icicle-hatched rigging. And the ice and the cold and keening wind were all him and he was at the same time buried within it; for twenty years, had not his marriage been a Northwest Passage, mythical, unknowable, undiscoverable, an iced-up channel to love, always before him and yet through which no passageway was possible?
And so he decided to go out and, as he so often did now, walk the night away. Walking was his pressure valve, and he the steam engine fit to explode without it. Looking, thinking, improvising scenes, rehearsing monologues and dialogues and inventing plots, he walked miles and miles, ever deeper into the mysterious labyrinth of the greatest city in the world. As clatter, hovels, cries and stench filled his being, he would keep on walking, the filthy dross of the everyday stirring in his alchemist’s head and transforming into the pure gold of his fancy.
Once, he had loved to watch and mimic and recall, joining it all in one merge as glorious and muddy as the streets through which he wandered, knowing nothing was coincidence and everything happened for a reason. But now there was a dreariness about all things for him.
There were the ‘little periwinkles’—as Wilkie Collins called ladies of the night—to be opened when he went on a jaunt with his friend around the theatres and streets, and though this and all he had ought to have been enough,somehow, for some reason for which he could not find words, it no longer was. Much as he tried to suppress the dangerous, undisciplined thought, he wanted something more—but what he wanted, he could not say.
He felt a curtain lowering on some other world he had visited for a few brief years in his youth: a carnival world, with the brightest of swirling rings, a circus tent he was permitted to enter for a short time only, and for a shorter time yet to be the ringmaster, before being cast out once more into the bootblack night. He was panicked, fearful at the fading of some light he could not describe but which had once illuminated his world.
At some point, he knew, he would return to home and a snoring Catherine. He would fall into a strange slumber in rhythm with his walking: half-awake, half-asleep, possessed of the strangest dreaming. Was it the laudanum he took more frequently of a night to ease his sleep? Or was it just what life had become? Slowly he would feel better, as his characters talked to him, as he came to understand what it was, other than air, that they all wished to breathe.
After a few short hours’ sleep, he would awaken before dawn to the sound of carts heading to market laden with produce, and the noise of the streets below his bedroom would soothe him. By some miracle life had not stopped. As he slowly came to his senses, he would