‘Broadcast their story of innocence, that’s what!’
Later, when he came to kiss her liver-spotted hand in farewell, Lady Jane asked him if it was in his power to question such a story.
‘I only know I am in yours,’ replied Dickens brightly.
But as the door of Lady Jane’s home closed behind him and he faced the morning gloom, thick flakes of soot eddied around him like black snow, and nothing seemed bright. He made his way from Pall Mall in a hansom cab,through mud and shit so thick and deep that dogs and horses seemed formed from it. People dissolved in and out of the dirty fog like fen monsters, like wraiths, filthy rags wrapped around their faces to ward off the cholera miasma that had carried away six hundred souls only a month before. London seemed all stench and blackness: blackness in the air and blackness in his eyes, blackness in his very soul begging to be white once more as he made his way home to his family.
Family, of course, was everything by that morning in 1854—families alike and unlike, families happy and unhappy—for across classes and suburbs and counties, family had arrived like the steam train, unexpectedly but undeniably. Everybody had to be family and all had to celebrate family, whether it was the young queen and her consort or the poorest factory worker. Like any boom, there were opportunities to be had in family, and just as there were railway speculators, there were family speculators. Few had gambled so boldly and profited so handsomely as Lady Jane, the exemplary devoted wife, or Dickens, the very bard of family. But celebrating family was one thing. Practising it, Dickens had discovered, was something else again.
Because it had been raining too much and he had been gloomy too often, because he felt something too close to failure stalking him like a shadow, because he wanted light and needed to know he was still moving forward inall things, because he felt cold and the cold was growing, that evening he proposed to his wife, Catherine, that they go to Italy the following month. But she did not want to: the children had commitments of one type or another, and besides, her condition, after ten children, did not make travelling a welcome prospect.
Then, after what he felt was an innocent comment from him about her weight, which, as he said, was a simple truth, Catherine abruptly stood and walked out. According to their daughter, Katy, who rushed in soon after, angry at him, at her, at the whole miserable, wretched house they were doomed together to inhabit, along with all the other children, domestics and dogs and birds, her mother had now taken to her bed.
Her bed! thought Dickens, turning away from Katy. Again and again, over and over, back to her bed she would go after every argument, where she would once more become a heaving mound of feather quilt, rheumy eyes and stifled sobs. The last time, he had remonstrated, argued, apologised and, when daring, touched her on her forehead, her cheeks, her lips—but she had recoiled as if bitten by a mad dog. This time he did nothing. Weighing his options, he realised he had none, that somehow something was so broken that no word or action would fix it.
The situation, he knew, was felt painfully by all in the house, a house that seemed to breed only quarrels—between son and daughter, between elder and younger, between governess and servants—the whole house was wracked by a wretched spirit and even the furnitureseemed to bear grudges against the walls. There seemed no end to the misery, and, impossibly, everything just went on and on. But that night, rather than fight with his wife, he was mortified to realise that he lacked even the passion to continue the argument.
Rather than go and see her, he put on his coat. A long time ago he had fled from himself into Catherine, but now he was fleeing from Catherine into himself. Then, he had needed her and tunnelled into her to protect himself from all that roamed inside his head, all that he