full-lipped, nostrils haughty under an imperious nose. She smiled, perhaps noticing his expression, and her teeth were perfection, larger than life, on her scale.
Thora silently handed her a pair of tights which she drew on, sitting again for seconds on the dressing gown.
âItâs about Mary,â she said, taking a white shift to cover herself except for head, high chest and the naked gleaming power of her arms. âSheâs spoken to you?â
Thora passed her mistress a dress, multicoloured, a kaleidoscope of dazzling but matching lozenges which flowed, spun, flashed silkily even when she belted it at her shapely waist. She lifted her feet high, he noticed, athletically, to ease on her shoes; high-heeled, these shone, dwarfed.
âYes.â
âAnd what do you think?â
âI want to know whatâs in it for her.â
âOf course. Thatâs sensible. But if that side were right, how would you feel?â
âI should want her to take her chance.â
âWant?â
âThatâs what I said.â
Elizabeth Falconer was seated again in front of her mirror, inspecting her flawless features, testing the skin with long, scarlet nails.
âYouâre angry with me, arenât you?â
Her voice had nothing of theatrical power, was delivered with a sweet clarity at the glass, modestly, like a nervous swimmer dipping a toe into cold water.
âNo. Not really.â
âBut I donât realize what Iâm doing?â
âYes. Something like that. Itâs a temptation to Mary; youâd call it a challenge. If it comes to nothing, or she doesnât make a success of it, sheâll be in trouble.â
âAnd if she does, thereâs danger there?â She looked at him, the great eyes open wide, devouring him. âFor you? Your marriage?â
He did not reply.
âBut,â steadily, âyou are still willing to let her go.â
âI donât think I could stop her. But certainly when she takes off from Heathrow she wonât see the smoke from my funeral pyre. No.â
She rose; Thora, prepared for the movement, draped a shawl over her shoulders. Elizabeth looked now into distance.
âDo you know I never connected the two things. I am stupid. But itâs changed round. Sheâs off to found an empire, and heâs left behind.â She conveyed her enormous pleasure at the comparison with these straightforward sentences. As she made her way towards the door she put out her left hand, blind, to lay on Thoraâs wrist denoting thanks. The gesture was operatic and utterly successful. The dresser stood at transformed attention. Blackwall himself dashed doorwards to open it, to expedite the progress, to offer her to the world.
As they descended the stairs she turned her head back to him.
âI just wanted to speak to you,â she said. âTo hear what you felt. Thereâs no hurry for a week or two, but after that sheâll have to commit herself one way or the other. Will she talk to your father about it? Edward says heâs got his head screwed on the right way.â
âItâs a bit outside his orbit. But they get on well, and she can have a word with him.â
âThatâs good.â
âWill she make it, do you think?â he asked desperately.
âNobody can say that. It doesnât depend entirely on talent. Luck or opportunity are important. I donât think sheâll ever be top of the operatic tree, because her voice isnât big enough for one thing, but I was impressed by her when she was a student, she shaped well with Omnium in Germany, and learned. Sheâs been very good in these last,â a hand flew out, âperformances,â and then a sudden stop, a turn so that the full-frontal power of the woman, perfume, shape, colour, mien slapped him down. âI did think, good as she was, that she hadnât been doing enough practice. Itâs now or