forecourt. If the sounds are repeated in the customary order, at the proper intervals, you can be reassured, your reign is in no danger: for the moment, for this hour, for this day still.
Sunk on your throne, you raise your hand to your ear, you shift the draperies of the baldaquin so that they will not muffle the slightest murmur, the faintest echo. For you the days are a succession of sounds, some distinct, some almost imperceptible; you have learned to distinguish them, to evaluate their provenance and their distance; you know their order, you know how long the pauses last; you are already awaiting every resonance or creak or clink that is about to reach your tympanum; you anticipate it in your imagination; if it is late in being produced, you grow impatient. Your anxiety is not allayed until the thread of hearing is knotted again, until the weft of thoroughly familiar sounds is mended at the place where a gap seemed to have opened.
Vestibules, stairways, loggias, corridors of the palace have high, vaulted ceilings; every footstep, every click of a lock, every sneeze echoes, rebounds, is propagated horizontally along a suite of communicating rooms, halls, colonnades, service entries, and also vertically, through stairwells, cavities, skylights, conduits, flues, the shafts of dumbwaiters; and all the acoustical routes converge on the throne room. Into the great lake of silence where you are floating rivers of air empty, stirred by intermittent vibrations. Alert, intent, you intercept them and decipher them. The palace is all whorls, lobes: it is a great ear, whose anatomy and architecture trade names and functions: pavilions, ducts, shells, labyrinths. You are crouched at the bottom, in the innermost zone of the palace-ear, of your own ear; the palace is the ear of the king.
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H ERE the walls have ears. Spies are stationed behind every drapery, curtain, arras. Your spies, the agents of your secret service: their assignment is to draft detailed reports on the palace conspiracies. The court teems with enemies, to such an extent that it is increasingly difficult to tell them from friends; it is known for sure that the conspiracy that will dethrone you will be made up of your ministers and officials. And you know that every secret service has been infiltrated by agents of the opposing secret service. Perhaps all the agents in your pay work also for the conspirators, are themselves conspirators; and thus you are obliged to continue paying them, to keep them quiet as long as possible.
Voluminous bundles of secret reports are turned out daily by electronic machines and laid at your feet on the steps of the throne. It is pointless for you to read them: your spies can only confirm the existence of the conspiracies, justifying the necessity of your espionage; and at the same time they must deny any immediate danger, to prove that their spying is effective. No one, for that matter, thinks you must read the reports delivered to you; the light in the throne room is inadequate for reading, and the assumption is that a king need not read anything, the king already knows what he has to know. To be reassured you have only to hear the clicking of the electronic machines coming from the secret servicesâ offices during the eight hours established by the schedule. A swarm of operators feeds new data into the memory banks, follows complicated tabulations on the screens, pulls from the printers new'reports, which are always the same report, repeated day after day with minimal variations regarding rain or fair weather. With minimal variations the same printers turn out the secret bulletins of the conspirators, the order of the day for the mutinies, the detailed plans for your deposition and execution.
You can read them, if you wish. Or pretend to have read them. What the spiesâ eavesdropping records, whether at your command or your enemiesâ, is the maximum that can be translated into the code formulas, inserted into programs