knows sheâs desperate. She sees herself as Pat sees her, desperate and so afraid and she doesnât care. See me like this. This is me. Did you know this was me? All these years you envied me, big sister, but I reckon you donât envy me now! The peak arrives more quickly, takes her more completely than before.
âBreathe,â Pat says. âI read it somewhere. Like blowing smoke.â
And Mary blows, blows until sheâs giddy â¦
And then something amazing. Thereâs suddenly distance and over there, far away, she sees herself as a child sitting in the arms of the cherry tree. It crosses Maryâs mind that perhaps sheâs dying, which seems a shame, but at least thereâs no pain here for an instant. Hereâs the day the sun shone ladders down the side of the house and she spied Norman, the boy next door, cleaning his bike. She wanted to secretly throw something at him, but the cherries werenât grown yet, and apart from branches and leaves there wasnât anything. Here was the day she smeared her lips crimson and smacked them together, enjoying the strange taste of stolen lipstick as she clambered swiftly down the tree, crossed the grass, slid silently over the wall and tapped Norman on his shoulder. âYou want a kiss?â
And now this â oh, again, oh, not again! Will this last for ever? She wants to push. Sheâs losing it, completely. This will never endand she hears herself screaming. She really canât stand any more. All moments of peace are ended, all memories have gone, and sheâs back in her bedroom with these walls and her sister flapping about like a lunatic and this unavoidable need to push. Itâs like puking. Urgent and ridiculous.
How can she still be alive and feel this much agony? She actually feels the baby as, âOww!â as its head presses against her, opening her, stretching her so wide it burns. It has to stop, she has to make it stop. Itâs like being eaten by fire. She scrabbles with her hand, reaches down to put an end to this, to do something, anything that will make it go away. But her fingers meet the babyâs head â and itâs so entirely shocking to touch her unborn child, that the room goes still. She is touching her daughter. She is the first person in the world to touch her. For the rest of Carolineâs life, that will always be true. The babyâs head is convoluted like a soft mountain range. Her hair is wet fluff, the curve of her skull so tender as she, as Mary, pushes her out and thereâs a face between her legs. For an instant, for a completely odd and confusing second, itâs her being born, she thinks, and she lies blinking between her own motherâs legs with the pressure of the world across her shoulders and she knows above all things that this child must be loved. If I can give you nothing else, I promise you that . Patâs fumbling with hot water and towels and saying, âPant, donât push!â when thereâs nothing Mary can do to avoid it, nothing, no panting in the world is stopping this.
It takes three pushes (only three! Pat will recount later, as if even in the process of giving birth to an illegitimate child, Mary is blessed with good fortune) and the baby lies on the bed slippery as a mackerel and Mary is a mother.
Sheâs done it. Sheâs survived, and so has the baby and so has Pat and all three of them are crying.
âItâs relief,â Pat says. But then she looks at her watch, so maybe itâs fear, because their fatherâs at the pub and heâll be home soon and how the heck are they going to explain away a baby?
Six
‘“Slut” was a word I was familiar with,’ Mary told the girl who came running up. ‘But from my father’s lips it made me feel terribly exposed. Can you imagine?’
‘I’d say Houdini was a more appropriate term,’ the girl said, grabbing her arm and steering her back across the street.
Richard Ellis Preston Jr.