out. He don’t know nothing about makeup. He uses too much rouge. Nobody looks natural. And I don’t want Sokolowsky seeing me naked. I heard some funny things about Sokolowsky. Stiva is the best. If you’re anybody at all, you go to Stiva.”
Stiva’s was on Hamilton, not far from St. Francis Hospital, in a large converted Victorian sporting a wraparound porch. The house was painted white with black shutters, and in deference to the wobbly old folks, Stiva had installed green indoor-outdoor carpeting from the front door, down the stairs to the sidewalk. A driveway ran to the back, where a four-car garage housed the essential vehicles. A brick addition had been added to the side opposite the driveway. There were two viewing rooms in the addition. I had never been given the full tour, but I assumed the embalming equipment was there as well.
I parked on the street and ran around the Jeep to help Grandma Mazur get out. She’d decided she couldn’t do a good job of worming information out of Sergie Morelli in her standard-fare tennis shoes and was now precariously teetering on black patent leather heels, which she said all babes wore.
I took a firm grip on her elbow and ushered her up the stairs to the lobby, where the K of C were massing in their fancy hats and sashes. Voices were hushed, and footsteps muffled by new carpet. The aroma of cut flowers was overbearing, mingling with the pervasive odor of breath mints that didn’t do much in the way of hiding the fact that the K of C had shored themselves up with large quantities of Seagram’s.
Constantine Stiva had set up business thirty years ago and had presided over mourners every day since. Stiva was the consummate undertaker, his mouth forever fixed in Muzak mode, his high forehead pale and soothing as cold custard, his movements always unobtrusive and silent. Constantine Stiva … the stealth embalmer.
Lately Constantine’s stepson, Spiro, had begun making undertaker noises, hovering at Constantine’s side during evening viewings and assisting in morning burials. Death was clearly Constantine Stiva’s life. It seemed more a spectator sport to Spiro. His smiles of condolence were all lips and teeth and no eyes. If I had to venture a guess as to his industry pleasures I’d go with the chemistry—the tilt-top tables and the pancreatic harpoons. Mary Lou Molnar’s little sister went to grade school with Spiro and reported to Mary Lou that Spiro had saved his fingernail clippings in a glass jar.
Spiro was small and dark with hairy knuckles and a face that was dominated by nose and sloping forehead. The uncharitable truth was that he looked like a rat on steroids, and this rumor about the fingernail-saving did nothing to enhance his image in my eyes.
He’d been friends with Moogey Bues, but he hadn’t seemed especially disturbed by the shooting. I’d spoken to him briefly while working my way through Kenny’s little black book. Spiro’s response had been politely guarded. Yes, he’d hung with Moogey and Kenny in high school. And yes, they’d stayed friends. No, he couldn’t think of a motive for either shooting. No, he hadn’t seen Kenny since his arrest and hadn’t a clue as to his whereabouts.
Constantine was nowhere to be seen in the lobby, but Spiro stood directing traffic in a conservative dark suit and crisp white shirt.
Grandma looked him over as one would a cheap imitation of good jewelry. “Where’s Con?” she asked.
“In the hospital. Herniated disk. Happened last week.”
“No!” Grandma said on a sharp intake of air. “Who’s taking care of the business?”
“Me. I pretty much run the place, anyway. And then Louie’s here, of course.”
“Who’s Louie?”
“Louie Moon,” Spiro told her. “You probably don’t know him because he mostly works mornings, and sometimes he drives. He’s been with us for about six months.”
A young woman pushed through the front door and stood halfway into the foyer. She searched the room
Arnold Nelson, Jouko Kokkonen