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spirit was trying to draw the marrow out of every painful moment and live as hard as it could while it still could. She could not even hope for the ordeal to end, for how could it end well? What was she now? A tool that had served its purpose. Worse still, a tool that could talk.
    She felt a tickle against her fingers and reflexively clutched at the bracelet tangled in the cords binding her wrists. The three carved totems that dangled from it were images of the Little Goodkin, the skeletal children said to protect any child endangered and lost in the darkness. Another child would have been chanting Fenfenny, friends defend me , and finding comfort in the rhyme. But Mosca had emptied her darkness of comforting imagined faces, and such words were hollow to her. She clutched at the bracelet because it had been a gift from a coffeehouse mistress named Miss Kitely in a precarious moment and still warmed her with a memory of friendship, but even this was small consolation.
    At last the horse slowed and she was dragged off its back. The sack was yanked from her face, and she found that the world had become a darker place than before. Mosca was set on her feet, and her clogless foot instantly sank into cold, wet mud.
    Through the clinging mask of her wet hair she could just about see that the horses had been tethered outside a bleak-looking farmhouse set alone on the moorland. It was built from large rough-hewn stones and its arrow-slit windows were chips of darkness. There were two doors, one set at ground level, one ten feet above the earth with a wooden ladder leading up to it.
    Mosca knew that this must be the ‘bastle house’ mentioned in Skellow’s letter. A bastle house was a farmhouse designed to be its own little bastion. It was always dangerous to live near a border, what with the risk of invading armies, or raiding parties sneaking across to steal cattle or whatever else they could get their hands upon. The problem with the Realm, of course, was that it was full of borders. Decades before, it had splintered into smaller allegiances, each proclaiming the rights of a different absent claimant to the throne. Nowadays there was less fear of invasion, but along the borders buildings like this remained, some now derelict, like knobs of scar tissue to show where the Realm had been sliced asunder. To judge by its lightless windows, this bastle house had been abandoned.
    For the first time, her captors’ voices settled into a contented and relieved murmur.
    ‘I’m frozen. Let’s get in and light the fire.’
    ‘Some food wouldn’t kill me either.’
    ‘What do we do with the girl?’
    Silence. Mosca’s black eyes flitted from face to face as the men exchanged glances.
    ‘Keep her in the vaults for now,’ answered Skellow.
    The sturdy ground-floor door was heaved open, and with a snick and hishh of tinder a lantern was lit. Mosca found herself looking at a dungeon-like space broken up into long, vaulted tunnels with iron rings hammered here and there into the walls. Only the crusted grey discs of long-dry cowpats showed that this space had been set aside to defend livestock, not to hold prisoners.
    Mosca was taken by the shoulder and guided into the nearest ‘vault’, hearing the antique cowpats give under her feet with a papery rustle. The loose ends of the cord tying her wrist were knotted around one of the iron rings set in the wall, with just enough slack so that she could sit on the ground if she chose. Mosca, who had slumped against the rugged wall with every sign of meek exhaustion, furtively watched from under wet and spiky lashes as Skellow tugged at the cord.
    Only when Skellow left the vault, taking the lantern with him, did Mosca’s posture become less limp, less meek. Instead she bristled with attention, taking in every tiny sound from outside. The shunk of a bar being lowered across the door. The heavy grinding of an elderly key turning. Voices. The creak of footsteps on wooden rungs as Skellow and his