presumably. Sheâd spent the last two months in character, preparing in a controlled environment for the experience of going under-cover. They were giving her an identify, a legend, that would enable her to blend unobtrusively into the local business community, building on the reputation established by her predecessor in the area. Their key targets were themselves local businessmen, running criminal networks in the shadow of apparently legitimate commercial operations. The plan was for her to work in the same shadowy hinterland.
She had become Marie Donovan, businesswoman, and had been coming to grips with the financial and legal implications of the mundane printing and reprographics franchise that sheâd be taking over. Sheâd had dealings with the bank, with the solicitors, with the franchise owners. The ground had been prepared for her, but then sheâd been on her own, a new starter still finding her feet. The business people she was dealing with no doubt thought she was an idiot, a would-be entrepreneur without a clue. But, from their responses, she guessed that theyâd encountered such characters many times before: deluded halfwits who wanted to stick their life savings or redundancy pay in some ridiculous business fantasy. It was no real skin off their nose whether she succeeded or failed, so long as she had the necessary funding today.
But after the first stumbles, it hadnât been too bad. Sheâd been surprised how quickly she got into character. Sheâd also been surprised at how quickly sheâd begun to enjoy it. It was a new challenge, a new way of thinking. A whole new life.
That was why sheâd been annoyed and bemused when theyâd dragged her out of her preparations to attend that bloody conference. A last chance to be yourself, theyâd said. Enjoy it. Right.
And now, after two days of being herself, theyâd sprung this on her. She didnât even know what game she was supposed to be playing. Presumably she was back in character, back to being Marie Donovan, tinpot entrepreneur. But if so, who were these jokers supposed to be?
âWe know who you are, Donovan,â the figure behind the light said softly. âWe know what you are.â
She knew she had to behave just like the fictional Marie Donovan would behave in these circumstances. Except of course that the fictional Marie Donovan, if she were real, would never find herself in these circumstances.
But how would she respond? Fear, of course, and bewilderment. But also anger. Donovan â the businesswoman Donovan â was as feisty as the real one, accustomed to battling her way through a manâs world. Even with a pistol being waved at her, she wouldnât take any crap.
âWhat the hell is this?â she snapped. âWho are you people? You canât just drag people off the streetââ
âWe know what you are,â the voice said again. âWe know what your game is.â
âI donât know what the bloody hell youâre talking about. How do you know my name?â She allowed a small tremble to creep into her voice during the last sentence. Donovan might be feisty, but sheâd still be terrified in this scenario, however much she might try to hide it.
The man behind the light was leafing through a sheaf of documents. She leaned forwards, peering, trying to see what he was doing, who he was. Theyâd blindfolded her when theyâd taken her out of the van, and sheâd seen nothing till the light had been shone into her face. She wondered whether she might recognize the voice. A colleague? Someone from the training team? She estimated that the van had driven for maybe fifteen or twenty minutes, but she had no idea where they were, and sheâd seen nothing that would give her any clues.
âJust moving into the area,â the man said. âTaking over a print franchise. Making your way in the world. Whatâs the story, then, love?