everyone we can get.â
âBut whatâs in it for me?â asked Mr Kendrick.
âYou live opposite the proposed development!â exploded Malcolm. âYouâre the one most affected by it!â
âLook! Hereâs the photographer!â said Patrick.
A friendly girl in a brown bomber jacket ambled up to the group. She had a fancy SLR camera hanging from her neck.
âHi!â she said.
âHello, Iâm Malcolm Thomas. Iâm the Chairman of the Residentsâ Association,â said Malcolm. âIâm sorry there arenât more of us.â
âThatâs OK,â replied the girl. âMy nameâs Martha. Iâm from New Zealand.â
âIâve got an aunt in New Zealand!â exclaimed Midgeâs owner. âHer nameâs Dancey Willis. Iâm Isobel Soper.â
âIsobel! Of course!â Malcolm kicked himself.
âI know Dancey Willis!â smiled Martha from New Zealand.
âYou do!â cried Midgeâs owner. âWell isnât that a coincidence?â
âNot really. We live next door to each other. It would be difficult not to know her.â
âNo, I mean isnât it a coincidence that you should live next door to my aunt?â
âBut weâve been neighbours for years so it isnât really a â¦â
âPerhaps we should get on with the photograph?â suggested Malcolm, exercising his authority as chairman.
âAre you taking a photograph?â asked Martha from New Zealand.
âWell ⦠er ⦠isnât that what youâve come for?â replied Malcolm.
âAbsolutely!â said Martha. âIâm going to take lots of photos. I specialise in vegetarian close-ups.â
âWhat are they?â put in Midgeâs owner.
âLetâs just get on with it, shall we?â suggested Malcolm.
âIs this all there are?â said another voice. It belonged to a tall man in a raincoat with greased-down hair. In fact he was the newspaperâs photographer. âNot much of a protest, is it?â
âIâve got to get home,â said Mr Kendrick.
âPlease! Please! Please stay!â cried Malcolm holding on to Mr Kendrickâs sleeve. Nigel started barking at this. âShut up! Nigel!â
âI mean, how many are there of you?â
âFive!â said Malcolm. âThatâs quite enough.â
âWell itâs not going to get on the front page,â said the photographer.
âIâve got things to do at home,â complained Mr Kendrick.
âPlease stay!â whimpered Malcolm. âJust one minute!â
âAll right,â said the photographer. âTry to look angry.â He pulled a small Sony digital camera from his pocket.
âIs that all youâre using?â said Malcolm.
âItâll do for this,â said the photographer. âThere! Done it!â
âWe werenât posed!â exclaimed Malcolm.
âAnd youâve got to get the site of the proposed development in the shot!â said Patrick. âItâs behind you.â
âCan Midge be in the shot?â asked Midgeâs owner.
âYes of course! The more the merrier. Come on, Nigel!â said Malcolm.
âWave your fists in the air!â said the photographer. âLike the girl in the bomber jacketâs doing.â
âWhat are we protesting about?â asked Martha from New Zealand.
âGot it!â said the photographer, who slipped his camera back into his pocket and wandered off.
âDonât you want our names?â Malcolm shouted after him.
That lunchtime, as Malcolm was telling the story of the disastrous protest rally and photo-shoot, the phone rang. Their six-year-old, Freddie, was the first one there. He listened and then put the phone back on the receiver.
âWho was it?â asked Angela.
âDonât know,â said Freddie.
âWhat did they