Tags:
Fiction,
Mystery,
Minneapolis,
soft-boiled,
homeless,
ernst,
chloe effelson,
kathleen ernst,
milwaukee,
mill city museum,
milling
on the line, and he says âHey, I canât roust Almirez. See if you can find him.â So ⦠I find him.â Dobry paused.
Roelke ground his teeth again. For the love of God, if Dobry dragged this story out any longer, Roelke would throttle him. âWhere?â
âIn a bar.â
âTrouble on a bar check?â
âNo. Roelke, Rick was having a Policemanâs Coke.â
âWhat?â Roelke stared at Dobry. Policemanâs Coke was a euphemism for alcohol. âNo way.â
Dobry held up his hands. âI saw Rick through the window, tossing back a cold one at the Rusty Nail.â
Roelkeâs eyes narrowed. Even if Rick had been off-duty, the Rusty Nail was not the kind bar he would have chosen to relax in. âWas he with somebody?â
âI donât know. I grabbed my flashlight and shined it inside to get Rickâs attention.â Dobry pantomimed holding a phone to his ear, the signal for You got to call in, NOW. âI waited until he came out, and basically asked what the hell he was doing. He just thanked me, and said heâd go call in.â Dobry wiped a hand over his face. âThat was the last time I saw him. He hit his next mark at 2:50, right on time. Nobody would have been the wiser except ⦠you know. After Rick got shot, Cox figured he better come clean.â
âI donât see why,â Roelke snapped, although honestly, he probably would have done the same himself.
âLook,â Dobry said grimly. âYou know, and I know, that Rick must have had a real good reason for what he did. But the sergeantâand probably now the captain and chief tooâthey donât necessarily see it that way.â
Roelke wouldnât have guessed that anything could be worse than what Jody had said: Heâs dead, Roelke . But this â¦
Dobry stared over the yard. âThey kept it from the press for now, but â¦â He lit another cigarette and inhaled like a man in need. âIf reporters discover that Rick had been tossing back a cold one earlier that night, theyâll make the entire shooting look like officer error.â
Roelkeâs hands clenched. A growl came from somewhere deep inside. âGod damn it!â His foot connected with the stack of flowerpotsâsome plastic, some clayâin a soccer kick. They flew into the yard with an obscene clatter.
âGeez.â Chloe planted her feet on the sidewalk and grabbed the chain-link security fence so she could study the enormous ruin insideâa hulk of limestone walls covered with cracked concrete, grimy and grafittied.
âWelcome to the Washburn A Mill,â Ariel said. âThe whole complex was made up of ten buildings, constructed between 1866 and 1908. The museum is being planned for the A Mill, which is the largest.â She pointed to a series of cylindrical grain elevators, maybe 100 or more feet tall. âThe head house on top of the elevators is five stories itself.â
Chloe shielded her eyes from the sun. Atop the head house an iconic sign spelled GOLD MEDAL FLOUR in huge yellow letters. âIs this where Gold Medal Flour got its start?â
âIt is. And after a couple of mergers, Washburn became Washburn-Crosby Company in 1879, and then General Mills in 1928,â Ariel said mechanically. âListen, Owen and Jay are supposed to meet us here. We should wait in the car. Itâs not safe to wander around alone.â
âIt looks like any one of these walls might crumble at any moment,â Chloe agreed. Ariel had parked in a lane on the bank of the Mississippi River, in the industrial heart of Minneapolis. The landscape was bleak: weeds, heaps of gravel, railroad tracks, abandoned buildings, crumbles of rubble that only hinted at the industry once powered by the mighty river.
âItâs not just that,â Ariel said. âThis is a bad area. I know weâre not far from my place, but those few miles