remarkable in the fact that they should be sharing the same air: he was just there and it was nice.) But it was never possible to forget that Searle was in a room.
Why? she kept asking herself. Or rather, why not?
It had nothing to do with falling in love, this interest; this excitement. If, on Sunday night, after two days in his company, he had turned to her and said: 'Come away with me, Liz,' she would have laughed aloud at so absurd a notion. She had no desire to go away with him.
But a light went out of the room with him, and sprang up again when he came back. She was aware of every movement of his, from the small mallet of his forefinger as it flicked the radio switch, to the lift of his foot as it kicked a log in the fireplace.
Why?
She had gone walking with him through the woods, she had shown him the village and the church, and always the excitement had been there; in his gentle drawling courtesy, and in those disconcerting grey eyes that seemed to know too much about her. For Liz, all American men were divided into two classes: those who treated you as if you were a frail old lady, and those who treated you as if you were just frail. Searle belonged to the first class. He helped her over stiles, and shielded her from the crowding dangers of the village street; he deferred to her opinion and flattered her ego; and, as a mere change from Walter, Liz found it pleasant. Walter took it for granted that she was adult enough to look after herself, but not quite adult enough to be consulted by Walter Whitmore, Household Word Throughout the British Isles and a Large Part of Overseas. Searle's was a charming reversal of form.
She had thought, watching him move slowly round the interior of the church, what a perfect companion he would have made if it were not for this pricking excitement; this sense of wrongness.
Even the unimpressionable Lavinia, always but semi-detached from her current heroine, was, Liz noticed, touched by this strange attraction. Searle had sat with her on the terrace after dinner on Saturday night, while Walter and Liz walked in the garden and Emma attended to household matters. As they passed below the terrace each time on their round of the garden, Liz could hear her aunt's light childlike voice babbling happily, like a little stream in the half-dark of the early moonrise. And on Sunday morning Lavinia had confided to Liz that no one had ever made her feel so abandoned as Mr Searle. 'I am sure that he was something very wicked in Ancient Greece,' she said. And had added with a giggle: 'But don't tell your mother that I said so!'
Against the entrenched opposition of her sister, her nephew, and her daughter, Mrs Garrowby would have found it difficult to rid Trimmings of the young man's presence; but her final undoing came at the hands of Miss Easton-Dixon.
Miss Easton-Dixon lived in a tiny cottage on the slope behind the village street. It had three windows, asymmetrical in their own right and in relation to each other, a thatched roof, and a single chimney, and it looked as if one good sneeze would bring the whole thing round the occupant's ears; but its aspect of disintegration was equalled only by its spick and span condition. The cream wash of the plaster, the lime-green paint of door and windows, the dazzling crispness of the muslin curtains, the swept condition of the red-brick path, together with the almost conscientious crookedness of everything that normally would be straight, made a picture that belonged by right to one of Miss Easton-Dixon's own fairy-tale books for Christmas.
In the intervals of writing her annual story, Miss Easton-Dixon indulged in handcrafts. In the schoolroom she had tortured wood with red-hot pokers. When pen-painting came in she had pen-painted with assiduity, and had graduated from that to barbola work. After a spell of sealing-wax, she had come to raffia, and thence to hand-weaving. She still weaved now and then, but her ingrained desire was not to create but