supper the night before. Sometimes she didn’t even take the trouble to warm it, and then as often as not she would leave it on her plate. Once or twice a week she took a bus at the end of the road and met Marian for lunch at a cheap café, but they couldn’t afford to do it very often. Then she would take the bus back again and spend the afternoon lying on the sofa waiting for Marian to come home. It was Marian who cooked whatever Ina had bought for supper. It was Marian who brought in her stories of what had been happening in the office—who was taking what house—young people getting married—old people going to live with a son or daughter—Mrs. Potter who was putting in a second bathroom and turning the flower-room into a kitchenette so that she could divide her house and let off half of it.
“You remember Maureen Potter, Ina—she was in the sixth when we first went to school. She married someone with a lot of money. She came in with her mother. I think dividing the house was her idea really, and she said at once, ‘You’re Marian Brand, aren’t you? Miss Fisher told me you were working here. How do you like it?’ And she asked after you, and said how pretty you were, and said something about coming to see us. But I don’t suppose she’ll have time—she’s only here for a few days.”
There was never anything more exciting than that. Of course if Cyril was at home, everything was different. Sometimes he came back with plenty of money, and for a few days life became almost too exciting. He made love to her in an exigent, masterful way, he took her out to lunch, to tea, to dinner. And then either the money ran out or he became bored—Cyril found it terribly easy to be bored—and he would go off again with an airy “Goodbye—I’ll be seeing you.” It was worse when he came back without any money at all, because that was when Marian put her foot down and kept it there. Cyril could have house-room, and the same meals that she and Ina had, but no more. If he wanted money for drinks or cigarettes, or even for bus fares, he must earn it. Cyril would stick his hands in his pockets and stride dramatically up and down the sitting-room telling Ina just what he thought about the meanness, the callous hard-heartedness of Marian’s behaviour. Ina could, of course, see his point. A man must have some money in his pocket—he must be able to buy a packet of cigarettes and stand a friend a drink. But she could see Marian’s point of view just as clearly, and sometimes she was tactless enough to say so.
“But, darling, she really hasn’t got it. We only just manage as it is.”
It didn’t go down at all well. Cyril would pause in the current stride and give a sardonic laugh.
“That’s what she tells you! She would! And you take her part! You don’t care how much I’m humiliated!”
At which point Ina was apt to dissolve into tears. Taking one thing with another, the dullness of the times when Cyril was away was preferable to the strain and exhaustion of the times when he was here.
Tonight Ina could forget everything and feel sick with longing for his presence. When he had been away for some time she could, and did, superimpose the hero of her latest novel upon her recollections of Cyril. It helped a lot. And now, when she was feeling so frightened about Marian, she thought how wonderful it would be to have Cyril’s arms round her, and his voice telling her how stupid it was to get the wind up. In the book she had finished at tea-time Pendred Cothelstone had had a very hearty way with feminine fears. The longing she felt was actually a longing for someone who would be hearty about Marian not being in at half past nine after saying she would be back by seven.
Half an hour later it is doubtful whether Pendred himself could have reassured her. Mrs. Deane had been up again with a fresh batch of stories. This time they were about people who had disappeared and were never heard of again.
“There was a